Fairy Tales of Hans Christian Andersen

Hark to the raging of the angry wind, sounding above the rolling sea! A storm approaches without, calling aloud for human lives. The sea has not put on a new mind with the new time. This night it is a horrible pit to devour up lives, and to-morrow, perhaps, it may be a glassy mirror—even as in the old time that we have buried. Sleep sweetly, if thou canst sleep!

Now it is morning.

The new time flings sunshine into the room. The wind still keeps up mightily. A wreck is announced—as in the old time.

During the night, down yonder by Lokken, the little fishing village with the red-tiled roofs—we can see it up here from the window—a ship has come ashore. It has struck, and is fast embedded in the sand; but the rocket apparatus has thrown a rope on board, and formed a bridge from the wreck to the mainland; and all on board are saved, and reach the land, and are wrapped in warm blankets; and to-day they are invited to the farm at the convent of Borglum. In comfortable rooms they encounter hospitality and friendly faces. They are addressed in the language of their country, and the piano sounds for them with melodies of their native land; and before these have died away, the chord has been struck, the wire of thought that reaches to the land of the sufferers announces that they are rescued. Then their anxieties are dispelled; and at even they join in the dance at the feast given in the great hall at Borglum. Waltzes and Styrian dances are given, and Danish popular songs, and melodies of foreign lands in these modern times.

Blessed be thou, new time! Speak thou of summer and of purer gales! Send thy sunbeams gleaming into our hearts and thoughts! On thy glowing canvas let them be painted—the dark legends of the rough hard times that are past!

THE BOTTLE NECK

Close to the corner of a street, among other abodes of poverty, stood an exceedingly tall, narrow house, which had been so knocked about by time that it seemed out of joint in every direction. This house was inhabited by poor people, but the deepest poverty was apparent in the garret lodging in the gable. In front of the little window, an old bent bird-cage hung in the sunshine, which had not even a proper water-glass, but instead of it the broken neck of a bottle, turned upside down, and a cork stuck in to make it hold the water with which it was filled. An old maid stood at the window; she had hung chickweed over the cage, and the little linnet which it contained hopped from perch to perch and sang and twittered merrily.

"Yes, it's all very well for you to sing," said the bottle neck: that is, he did not really speak the words as we do, for the neck of a bottle cannot speak; but he thought them to himself in his own mind, just as people sometimes talk quietly to themselves.

"Yes, you may sing very well, you have all your limbs uninjured; you should feel what it is like to lose your body, and only have a neck and a mouth left, with a cork stuck in it, as I have: you wouldn't sing then, I know. After all, it is just as well that there are some who can be happy. I have no reason to sing, nor could I sing now if I were ever so happy; but when I was a whole bottle, and they rubbed me with a cork, didn't I sing then? I used to be called a complete lark. I remember when I went out to a picnic with the furrier's family, on the day his daughter was betrothed,—it seems as if it only happened yesterday. I have gone through a great deal in my time, when I come to recollect: I have been in the fire and in the water, I have been deep in the earth, and have mounted higher in the air than most other people, and now I am swinging here, outside a bird-cage, in the air and the sunshine. Oh, indeed, it would be worth while to hear my history; but I do not speak it aloud, for a good reason—because I cannot."

Then the bottle neck related his history, which was really rather remarkable; he, in fact, related it to himself, or, at least, thought it in his own mind. The little bird sang his own song merrily; in the street below there was driving and running to and fro, every one thought of his own affairs, or perhaps of nothing at all; but the bottle neck thought deeply. He thought of the blazing furnace in the factory, where he had been blown into life; he remembered how hot it felt when he was placed in the heated oven, the home from which he sprang, and that he had a strong inclination to leap out again directly; but after a while it became cooler, and he found himself very comfortable. He had been placed in a row, with a whole regiment of his brothers and sisters all brought out of the same furnace; some of them had certainly been blown into champagne bottles, and others into beer bottles, which made a little difference between them. In the world it often happens that a beer bottle may contain the most precious wine, and a champagne bottle be filled with blacking, but even in decay it may always be seen whether a man has been well born. Nobility remains noble, as a champagne bottle remains the same, even with blacking in its interior. When the bottles were packed our bottle was packed amongst them; it little expected then to finish its career as a bottle neck, or to be used as a water-glass to a bird's-cage, which is, after all, a place of honor, for it is to be of some use in the world. The bottle did not behold the light of day again, until it was unpacked with the rest in the wine merchant's cellar, and, for the first time, rinsed with water, which caused some very curious sensations. There it lay empty, and without a cork, and it had a peculiar feeling, as if it wanted something it knew not what. At last it was filled with rich and costly wine, a cork was placed in it, and sealed down. Then it was labelled "first quality," as if it had carried off the first prize at an examination; besides, the wine and the bottle were both good, and while we are young is the time for poetry. There were sounds of song within the bottle, of things it could not understand, of green sunny mountains, where the vines grow and where the merry vine-dressers laugh, sing, and are merry. "Ah, how beautiful is life." All these tones of joy and song in the bottle were like the working of a young poet's brain, who often knows not the meaning of the tones which are sounding within him. One morning the bottle found a purchaser in the furrier's apprentice, who was told to bring one of the best bottles of wine. It was placed in the provision basket with ham and cheese and sausages. The sweetest fresh butter and the finest bread were put into the basket by the furrier's daughter herself, for she packed it. She was young and pretty; her brown eyes laughed, and a smile lingered round her mouth as sweet as that in her eyes. She had delicate hands, beautifully white, and her neck was whiter still. It could easily be seen that she was a very lovely girl, and as yet she was not engaged. The provision basket lay in the lap of the young girl as the family drove out to the forest, and the neck of the bottle peeped out from between the folds of the white napkin. There was the red wax on the cork, and the bottle looked straight at the young girl's face, and also at the face of the young sailor who sat near her. He was a young friend, the son of a portrait painter. He had lately passed his examination with honor, as mate, and the next morning he was to sail in his ship to a distant coast. There had been a great deal of talk on this subject while the basket was being packed, and during this conversation the eyes and the mouth of the furrier's daughter did not wear a very joyful expression. The young people wandered away into the green wood, and talked together. What did they talk about? The bottle could not say, for he was in the provision basket. It remained there a long time; but when at last it was brought forth it appeared as if something pleasant had happened, for every one was laughing; the furrier's daughter laughed too, but she said very little, and her cheeks were like two roses. Then her father took the bottle and the cork-screw into his hands. What a strange sensation it was to have the cork drawn for the first time! The bottle could never after that forget the performance of that moment; indeed there was quite a convulsion within him as the cork flew out, and a gurgling sound as the wine was poured forth into the glasses.

"Long life to the betrothed," cried the papa, and every glass was emptied to the dregs, while the young sailor kissed his beautiful bride.

"Happiness and blessing to you both," said the old people-father and mother, and the young man filled the glasses again.

"Safe return, and a wedding this day next year," he cried; and when the glasses were empty he took the bottle, raised it on high, and said, "Thou hast been present here on the happiest day of my life; thou shalt never be used by others!" So saying, he hurled it high in the air.

The furrier's daughter thought she should never see it again, but she was mistaken. It fell among the rushes on the borders of a little woodland lake. The bottle neck remembered well how long it lay there unseen. "I gave them wine, and they gave me muddy water," he had said to himself, "but I suppose it was all well meant." He could no longer see the betrothed couple, nor the cheerful old people; but for a long time he could hear them rejoicing and singing. At length there came by two peasant boys, who peeped in among the reeds and spied out the bottle. Then they took it up and carried it home with them, so that once more it was provided for. At home in their wooden cottage these boys had an elder brother, a sailor, who was about to start on a long voyage. He had been there the day before to say farewell, and his mother was now very busy packing up various things for him to take with him on his voyage. In the evening his father was going to carry the parcel to the town to see his son once more, and take him a farewell greeting from his mother. A small bottle had already been filled with herb tea, mixed with brandy, and wrapped in a parcel; but when the boys came in they brought with them a larger and stronger bottle, which they had found. This bottle would hold so much more than the little one, and they all said the brandy would be so good for complaints of the stomach, especially as it was mixed with medical herbs. The liquid which they now poured into the bottle was not like the red wine with which it had once been filled; these were bitter drops, but they are of great use sometimes-for the stomach. The new large bottle was to go, not the little one: so the bottle once more started on its travels. It was taken on board (for Peter Jensen was one of the crew) the very same ship in which the young mate was to sail. But the mate did not see the bottle: indeed, if he had he would not have known it, or supposed it was the one out of which they had drunk to the felicity of the betrothed and to the prospect of a marriage on his own happy return. Certainly the bottle no longer poured forth wine, but it contained something quite as good; and so it happened that whenever Peter Jensen brought it out, his messmates gave it the name of "the apothecary," for it contained the best medicine to cure the stomach, and he gave it out quite willingly as long as a drop remained. Those were happy days, and the bottle would sing when rubbed with a cork, and it was called a great lark, "Peter Jensen's lark."

Long days and months rolled by, during which the bottle stood empty in a corner, when a storm arose—whether on the passage out or home it could not tell, for it had never been ashore. It was a terrible storm, great waves arose, darkly heaving and tossing the vessel to and fro. The main mast was split asunder, the ship sprang a leak, and the pumps became useless, while all around was black as night. At the last moment, when the ship was sinking, the young mate wrote on a piece of paper, "We are going down: God's will be done." Then he wrote the name of his betrothed, his own name, and that of the ship. Then he put the leaf in an empty bottle that happened to be at hand, corked it down tightly, and threw it into the foaming sea. He knew not that it was the very same bottle from which the goblet of joy and hope had once been filled for him, and now it was tossing on the waves with his last greeting, and a message from the dead. The ship sank, and the crew sank with her; but the bottle flew on like a bird, for it bore within it a loving letter from a loving heart. And as the sun rose and set, the bottle felt as at the time of its first existence, when in the heated glowing stove it had a longing to fly away. It outlived the storms and the calm, it struck against no rocks, was not devoured by sharks, but drifted on for more than a year, sometimes towards the north, sometimes towards the south, just as the current carried it. It was in all other ways its own master, but even of that one may get tired. The written leaf, the last farewell of the bridegroom to his bride, would only bring sorrow when once it reached her hands; but where were those hands, so soft and delicate, which had once spread the table-cloth on the fresh grass in the green wood, on the day of her betrothal? Ah, yes! where was the furrier's daughter? and where was the land which might lie nearest to her home?

The bottle knew not, it travelled onward and onward, and at last all this wandering about became wearisome; at all events it was not its usual occupation. But it had to travel, till at length it reached land—a foreign country. Not a word spoken in this country could the bottle understand; it was a language it had never before heard, and it is a great loss not to be able to understand a language. The bottle was fished out of the water, and examined on all sides. The little letter contained within it was discovered, taken out, and turned and twisted in every direction; but the people could not understand what was written upon it. They could be quite sure that the bottle had been thrown overboard from a vessel, and that something about it was written on this paper: but what was written? that was the question,—so the paper was put back into the bottle, and then both were put away in a large cupboard of one of the great houses of the town. Whenever any strangers arrived, the paper was taken out and turned over and over, so that the address, which was only written in pencil, became almost illegible, and at last no one could distinguish any letters on it at all. For a whole year the bottle remained standing in the cupboard, and then it was taken up to the loft, where it soon became covered with dust and cobwebs. Ah! how often then it thought of those better days—of the times when in the fresh, green wood, it had poured forth rich wine; or, while rocked by the swelling waves, it had carried in its bosom a secret, a letter, a last parting sigh. For full twenty years it stood in the loft, and it might have stayed there longer but that the house was going to be rebuilt. The bottle was discovered when the roof was taken off; they talked about it, but the bottle did not understand what they said—a language is not to be learnt by living in a loft, even for twenty years. "If I had been down stairs in the room," thought the bottle, "I might have learnt it." It was now washed and rinsed, which process was really quite necessary, and afterwards it looked clean and transparent, and felt young again in its old age; but the paper which it had carried so faithfully was destroyed in the washing. They filled the bottle with seeds, though it scarcely knew what had been placed in it. Then they corked it down tightly, and carefully wrapped it up. There not even the light of a torch or lantern could reach it, much less the brightness of the sun or moon. "And yet," thought the bottle, "men go on a journey that they may see as much as possible, and I can see nothing." However, it did something quite as important; it travelled to the place of its destination, and was unpacked.

"What trouble they have taken with that bottle over yonder!" said one, "and very likely it is broken after all." But the bottle was not broken, and, better still, it understood every word that was said: this language it had heard at the furnaces and at the wine merchant's; in the forest and on the ship,—it was the only good old language it could understand. It had returned home, and the language was as a welcome greeting. For very joy, it felt ready to jump out of people's hands, and scarcely noticed that its cork had been drawn, and its contents emptied out, till it found itself carried to a cellar, to be left there and forgotten. "There's no place like home, even if it's a cellar." It never occurred to him to think that he might lie there for years, he felt so comfortable. For many long years he remained in the cellar, till at last some people came to carry away the bottles, and ours amongst the number.

Out in the garden there was a great festival. Brilliant lamps hung in festoons from tree to tree; and paper lanterns, through which the light shone till they looked like transparent tulips. It was a beautiful evening, and the weather mild and clear. The stars twinkled; and the new moon, in the form of a crescent, was surrounded by the shadowy disc of the whole moon, and looked like a gray globe with a golden rim: it was a beautiful sight for those who had good eyes. The illumination extended even to the most retired of the garden walks, at least not so retired that any one need lose himself there. In the borders were placed bottles, each containing a light, and among them the bottle with which we are acquainted, and whose fate it was, one day, to be only a bottle neck, and to serve as a water-glass to a bird's-cage. Everything here appeared lovely to our bottle, for it was again in the green wood, amid joy and feasting; again it heard music and song, and the noise and murmur of a crowd, especially in that part of the garden where the lamps blazed, and the paper lanterns displayed their brilliant colors. It stood in a distant walk certainly, but a place pleasant for contemplation; and it carried a light; and was at once useful and ornamental. In such an hour it is easy to forget that one has spent twenty years in a loft, and a good thing it is to be able to do so. Close before the bottle passed a single pair, like the bridal pair—the mate and the furrier's daughter—who had so long ago wandered in the wood. It seemed to the bottle as if he were living that time over again. Not only the guests but other people were walking in the garden, who were allowed to witness the splendor and the festivities. Among the latter came an old maid, who seemed to be quite alone in the world. She was thinking, like the bottle, of the green wood, and of a young betrothed pair, who were closely connected with herself; she was thinking of that hour, the happiest of her life, in which she had taken part, when she had herself been one of that betrothed pair; such hours are never to be forgotten, let a maiden be as old as she may. But she did not recognize the bottle, neither did the bottle notice the old maid. And so we often pass each other in the world when we meet, as did these two, even while together in the same town.

The bottle was taken from the garden, and again sent to a wine merchant, where it was once more filled with wine, and sold to an aeronaut, who was to make an ascent in his balloon on the following Sunday. A great crowd assembled to witness the sight; military music had been engaged, and many other preparations made. The bottle saw it all from the basket in which he lay close to a live rabbit. The rabbit was quite excited because he knew that he was to be taken up, and let down again in a parachute. The bottle, however, knew nothing of the "up," or the "down;" he saw only that the balloon was swelling larger and larger till it could swell no more, and began to rise and be restless. Then the ropes which held it were cut through, and the aerial ship rose in the air with the aeronaut and the basket containing the bottle and the rabbit, while the music sounded and all the people shouted "Hurrah."

"This is a wonderful journey up into the air," thought the bottle; "it is a new way of sailing, and here, at least, there is no fear of striking against anything."

Thousands of people gazed at the balloon, and the old maid who was in the garden saw it also; for she stood at the open window of the garret, by which hung the cage containing the linnet, who then had no water-glass, but was obliged to be contented with an old cup. In the window-sill stood a myrtle in a pot, and this had been pushed a little on one side, that it might not fall out; for the old maid was leaning out of the window, that she might see. And she did see distinctly the aeronaut in the balloon, and how he let down the rabbit in the parachute, and then drank to the health of all the spectators in the wine from the bottle. After doing this, he hurled it high into the air. How little she thought that this was the very same bottle which her friend had thrown aloft in her honor, on that happy day of rejoicing, in the green wood, in her youthful days. The bottle had no time to think, when raised so suddenly; and before it was aware, it reached the highest point it had ever attained in its life. Steeples and roofs lay far, far beneath it, and the people looked as tiny as possible. Then it began to descend much more rapidly than the rabbit had done, made somersaults in the air, and felt itself quite young and unfettered, although it was half full of wine. But this did not last long. What a journey it was! All the people could see the bottle; for the sun shone upon it. The balloon was already far away, and very soon the bottle was far away also; for it fell upon a roof, and broke in pieces. But the pieces had got such an impetus in them, that they could not stop themselves. They went jumping and rolling about, till at last they fell into the court-yard, and were broken into still smaller pieces; only the neck of the bottle managed to keep whole, and it was broken off as clean as if it had been cut with a diamond.

"That would make a capital bird's glass," said one of the cellar-men; but none of them had either a bird or a cage, and it was not to be expected they would provide one just because they had found a bottle neck that could be used as a glass. But the old maid who lived in the garret had a bird, and it really might be useful to her; so the bottle neck was provided with a cork, and taken up to her; and, as it often happens in life, the part that had been uppermost was now turned downwards, and it was filled with fresh water. Then they hung it in the cage of the little bird, who sang and twittered more merrily than ever.

"Ah, you have good reason to sing," said the bottle neck, which was looked upon as something very remarkable, because it had been in a balloon; nothing further was known of its history. As it hung there in the bird's-cage, it could hear the noise and murmur of the people in the street below, as well as the conversation of the old maid in the room within. An old friend had just come to visit her, and they talked, not about the bottle neck, but of the myrtle in the window.

"No, you must not spend a dollar for your daughter's bridal bouquet," said the old maid; "you shall have a beautiful little bunch for a nosegay, full of blossoms. Do you see how splendidly the tree has grown? It has been raised from only a little sprig of myrtle that you gave me on the day after my betrothal, and from which I was to make my own bridal bouquet when a year had passed: but that day never came; the eyes were closed which were to have been my light and joy through life. In the depths of the sea my beloved sleeps sweetly; the myrtle has become an old tree, and I am a still older woman. Before the sprig you gave me faded, I took a spray, and planted it in the earth; and now, as you see, it has become a large tree, and a bunch of the blossoms shall at last appear at a wedding festival, in the bouquet of your daughter."

There were tears in the eyes of the old maid, as she spoke of the beloved of her youth, and of their betrothal in the wood. Many thoughts came into her mind; but the thought never came, that quite close to her, in that very window, was a remembrance of those olden times,—the neck of the bottle which had, as it were shouted for joy when the cork flew out with a bang on the betrothal day. But the bottle neck did not recognize the old maid; he had not been listening to what she had related, perhaps because he was thinking so much about her.

THE BUCKWHEAT

Very often, after a violent thunder-storm, a field of buckwheat appears blackened and singed, as if a flame of fire had passed over it. The country people say that this appearance is caused by lightning; but I will tell you what the sparrow says, and the sparrow heard it from an old willow-tree which grew near a field of buckwheat, and is there still. It is a large venerable tree, though a little crippled by age. The trunk has been split, and out of the crevice grass and brambles grow. The tree bends for-ward slightly, and the branches hang quite down to the ground just like green hair. Corn grows in the surrounding fields, not only rye and barley, but oats,-pretty oats that, when ripe, look like a number of little golden canary-birds sitting on a bough. The corn has a smiling look and the heaviest and richest ears bend their heads low as if in pious humility. Once there was also a field of buckwheat, and this field was exactly opposite to old willow-tree. The buckwheat did not bend like the other grain, but erected its head proudly and stiffly on the stem. "I am as valuable as any other corn," said he, "and I am much handsomer; my flowers are as beautiful as the bloom of the apple blossom, and it is a pleasure to look at us. Do you know of anything prettier than we are, you old willow-tree?"

And the willow-tree nodded his head, as if he would say, "Indeed I do."

But the buckwheat spread itself out with pride, and said, "Stupid tree; he is so old that grass grows out of his body."

There arose a very terrible storm. All the field-flowers folded their leaves together, or bowed their little heads, while the storm passed over them, but the buckwheat stood erect in its pride. "Bend your head as we do," said the flowers.

"I have no occasion to do so," replied the buckwheat.

"Bend your head as we do," cried the ears of corn; "the angel of the storm is coming; his wings spread from the sky above to the earth beneath. He will strike you down before you can cry for mercy."

"But I will not bend my head," said the buckwheat.

"Close your flowers and bend your leaves," said the old willow-tree. "Do not look at the lightning when the cloud bursts; even men cannot do that. In a flash of lightning heaven opens, and we can look in; but the sight will strike even human beings blind. What then must happen to us, who only grow out of the earth, and are so inferior to them, if we venture to do so?"

"Inferior, indeed!" said the buckwheat. "Now I intend to have a peep into heaven." Proudly and boldly he looked up, while the lightning flashed across the sky as if the whole world were in flames.

When the dreadful storm had passed, the flowers and the corn raised their drooping heads in the pure still air, refreshed by the rain, but the buckwheat lay like a weed in the field, burnt to blackness by the lightning. The branches of the old willow-tree rustled in the wind, and large water-drops fell from his green leaves as if the old willow were weeping. Then the sparrows asked why he was weeping, when all around him seemed so cheerful. "See," they said, "how the sun shines, and the clouds float in the blue sky. Do you not smell the sweet perfume from flower and bush? Wherefore do you weep, old willow-tree?" Then the willow told them of the haughty pride of the buckwheat, and of the punishment which followed in consequence.

This is the story told me by the sparrows one evening when I begged them to relate some tale to me.

THE BUTTERFLY

There was once a butterfly who wished for a bride, and, as may be supposed, he wanted to choose a very pretty one from among the flowers. He glanced, with a very critical eye, at all the flower-beds, and found that the flowers were seated quietly and demurely on their stalks, just as maidens should sit before they are engaged; but there was a great number of them, and it appeared as if his search would become very wearisome. The butterfly did not like to take too much trouble, so he flew off on a visit to the daisies. The French call this flower "Marguerite," and they say that the little daisy can prophesy. Lovers pluck off the leaves, and as they pluck each leaf, they ask a question about their lovers; thus: "Does he or she love me? —Ardently? Distractedly? Very much? A little? Not at all?" and so on. Every one speaks these words in his own language. The butterfly came also to Marguerite to inquire, but he did not pluck off her leaves; he pressed a kiss on each of them, for he thought there was always more to be done by kindness.

"Darling Marguerite daisy," he said to her, "you are the wisest woman of all the flowers. Pray tell me which of the flowers I shall choose for my wife. Which will be my bride? When I know, I will fly directly to her, and propose."

But Marguerite did not answer him; she was offended that he should call her a woman when she was only a girl; and there is a great difference. He asked her a second time, and then a third; but she remained dumb, and answered not a word. Then he would wait no longer, but flew away, to commence his wooing at once. It was in the early spring, when the crocus and the snowdrop were in full bloom.

"They are very pretty," thought the butterfly; "charming little lasses; but they are rather formal."

Then, as the young lads often do, he looked out for the elder girls. He next flew to the anemones; these were rather sour to his taste. The violet, a little too sentimental. The lime-blossoms, too small, and besides, there was such a large family of them. The apple-blossoms, though they looked like roses, bloomed to-day, but might fall off to-morrow, with the first wind that blew; and he thought that a marriage with one of them might last too short a time. The pea-blossom pleased him most of all; she was white and red, graceful and slender, and belonged to those domestic maidens who have a pretty appearance, and can yet be useful in the kitchen. He was just about to make her an offer, when, close by the maiden, he saw a pod, with a withered flower hanging at the end.

"Who is that?" he asked.

"That is my sister," replied the pea-blossom.

"Oh, indeed; and you will be like her some day," said he; and he flew away directly, for he felt quite shocked.

A honeysuckle hung forth from the hedge, in full bloom; but there were so many girls like her, with long faces and sallow complexions. No; he did not like her. But which one did he like?

Spring went by, and summer drew towards its close; autumn came; but he had not decided. The flowers now appeared in their most gorgeous robes, but all in vain; they had not the fresh, fragrant air of youth. For the heart asks for fragrance, even when it is no longer young; and there is very little of that to be found in the dahlias or the dry chrysanthemums; therefore the butterfly turned to the mint on the ground. You know, this plant has no blossom; but it is sweetness all over,—full of fragrance from head to foot, with the scent of a flower in every leaf.

"I will take her," said the butterfly; and he made her an offer. But the mint stood silent and stiff, as she listened to him. At last she said,—

"Friendship, if you please; nothing more. I am old, and you are old, but we may live for each other just the same; as to marrying—no; don't let us appear ridiculous at our age."

And so it happened that the butterfly got no wife at all. He had been too long choosing, which is always a bad plan. And the butterfly became what is called an old bachelor.

It was late in the autumn, with rainy and cloudy weather. The cold wind blew over the bowed backs of the willows, so that they creaked again. It was not the weather for flying about in summer clothes; but fortunately the butterfly was not out in it. He had got a shelter by chance. It was in a room heated by a stove, and as warm as summer. He could exist here, he said, well enough.

"But it is not enough merely to exist," said he, "I need freedom, sunshine, and a little flower for a companion."

Then he flew against the window-pane, and was seen and admired by those in the room, who caught him, and stuck him on a pin, in a box of curiosities. They could not do more for him.

"Now I am perched on a stalk, like the flowers," said the butterfly. "It is not very pleasant, certainly; I should imagine it is something like being married; for here I am stuck fast." And with this thought he consoled himself a little.

"That seems very poor consolation," said one of the plants in the room, that grew in a pot.

"Ah," thought the butterfly, "one can't very well trust these plants in pots; they have too much to do with mankind."

A CHEERFUL TEMPER

From my father I received the best inheritance, namely a "good temper." "And who was my father?" That has nothing to do with the good temper; but I will say he was lively, good-looking round, and fat; he was both in appearance and character a complete contradiction to his profession. "And pray what was his profession and his standing in respectable society?" Well, perhaps, if in the beginning of a book these were written and printed, many, when they read it, would lay the book down and say, "It seems to me a very miserable title, I don't like things of this sort." And yet my father was not a skin-dresser nor an executioner; on the contrary, his employment placed him at the head of the grandest people of the town, and it was his place by right. He had to precede the bishop, and even the princes of the blood; he always went first,—he was a hearse driver! There, now, the truth is out. And I will own, that when people saw my father perched up in front of the omnibus of death, dressed in his long, wide, black cloak, and his black-edged, three-cornered hat on his head, and then glanced at his round, jocund face, round as the sun, they could not think much of sorrow or the grave. That face said, "It is nothing, it will all end better than people think." So I have inherited from him, not only my good temper, but a habit of going often to the churchyard, which is good, when done in a proper humor; and then also I take in the Intelligencer, just as he used to do.

I am not very young, I have neither wife nor children, nor a library, but, as I said, I read the Intelligencer, which is enough for me; it is to me a delightful paper, and so it was to my father. It is of great use, for it contains all that a man requires to know; the names of the preachers at the church, and the new books which are published; where houses, servants, clothes, and provisions may be obtained. And then what a number of subscriptions to charities, and what innocent verses! Persons seeking interviews and engagements, all so plainly and naturally stated. Certainly, a man who takes in the Intelligencer may live merrily and be buried contentedly, and by the end of his life will have such a capital stock of paper that he can lie on a soft bed of it, unless he prefers wood shavings for his resting-place. The newspaper and the churchyard were always exciting objects to me. My walks to the latter were like bathing-places to my good humor. Every one can read the newspaper for himself, but come with me to the churchyard while the sun shines and the trees are green, and let us wander among the graves. Each of them is like a closed book, with the back uppermost, on which we can read the title of what the book contains, but nothing more. I had a great deal of information from my father, and I have noticed a great deal myself. I keep it in my diary, in which I write for my own use and pleasure a history of all who lie here, and a few more beside.

Now we are in the churchyard. Here, behind the white iron railings, once a rose-tree grew; it is gone now, but a little bit of evergreen, from a neighboring grave, stretches out its green tendrils, and makes some appearance; there rests a very unhappy man, and yet while he lived he might be said to occupy a very good position. He had enough to live upon, and something to spare; but owing to his refined tastes the least thing in the world annoyed him. If he went to a theatre of an evening, instead of enjoying himself he would be quite annoyed if the machinist had put too strong a light into one side of the moon, or if the representations of the sky hung over the scenes when they ought to have hung behind them; or if a palm-tree was introduced into a scene representing the Zoological Gardens of Berlin, or a cactus in a view of Tyrol, or a beech-tree in the north of Norway. As if these things were of any consequence! Why did he not leave them alone? Who would trouble themselves about such trifles? especially at a comedy, where every one is expected to be amused. Then sometimes the public applauded too much, or too little, to please him. "They are like wet wood," he would say, looking round to see what sort of people were present, "this evening; nothing fires them." Then he would vex and fret himself because they did not laugh at the right time, or because they laughed in the wrong places; and so he fretted and worried himself till at last the unhappy man fretted himself into the grave.

Here rests a happy man, that is to say, a man of high birth and position, which was very lucky for him, otherwise he would have been scarcely worth notice. It is beautiful to observe how wisely nature orders these things. He walked about in a coat embroidered all over, and in the drawing-rooms of society looked just like one of those rich pearl-embroidered bell-pulls, which are only made for show; and behind them always hangs a good thick cord for use. This man also had a stout, useful substitute behind him, who did duty for him, and performed all his dirty work. And there are still, even now, these serviceable cords behind other embroidered bell-ropes. It is all so wisely arranged, that a man may well be in a good humor.

Here rests,—ah, it makes one feel mournful to think of him! —but here rests a man who, during sixty-seven years, was never remembered to have said a good thing; he lived only in the hope of having a good idea. At last he felt convinced, in his own mind, that he really had one, and was so delighted that he positively died of joy at the thought of having at last caught an idea. Nobody got anything by it; indeed, no one even heard what the good thing was. Now I can imagine that this same idea may prevent him from resting quietly in his grave; for suppose that to produce a good effect, it is necessary to bring out his new idea at breakfast, and that he can only make his appearance on earth at midnight, as ghosts are believed generally to do; why then this good idea would not suit the hour, and the man would have to carry it down again with him into the grave—that must be a troubled grave.

The woman who lies here was so remarkably stingy, that during her life she would get up in the night and mew, that her neighbors might think she kept a cat. What a miser she was!

Here rests a young lady, of a good family, who would always make her voice heard in society, and when she sang "Mi manca la voce,"[1] it was the only true thing she ever said in her life.

Here lies a maiden of another description. She was engaged to be married,—but, her story is one of every-day life; we will leave her to rest in the grave.

Here rests a widow, who, with music in her tongue, carried gall in her heart. She used to go round among the families near, and search out their faults, upon which she preyed with all the envy and malice of her nature. This is a family grave. The members of this family held so firmly together in their opinions, that they would believe in no other. If the newspapers, or even the whole world, said of a certain subject, "It is so-and-so;" and a little schoolboy declared he had learned quite differently, they would take his assertion as the only true one, because he belonged to the family. And it is well known that if the yard-cock belonging to this family happened to crow at midnight, they would declare it was morning, although the watchman and all the clocks in the town were proclaiming the hour of twelve at night.

The great poet Goethe concludes his Faust with the words, "may be continued;" so might our wanderings in the churchyard be continued. I come here often, and if any of my friends, or those who are not my friends, are too much for me, I go out and choose a plot of ground in which to bury him or her. Then I bury them, as it were; there they lie, dead and powerless, till they come back new and better characters. Their lives and their deeds, looked at after my own fashion, I write down in my diary, as every one ought to do. Then, if any of our friends act absurdly, no one need to be vexed about it. Let them bury the offenders out of sight, and keep their good temper. They can also read the Intelligencer, which is a paper written by the people, with their hands guided. When the time comes for the history of my life, to be bound by the grave, then they will write upon it as my epitaph—

"The man with a cheerful temper."

And this is my story.

[1] "I want a voice," or, "I have no voice."

THE CHILD IN THE GRAVE

It was a very sad day, and every heart in the house felt the deepest grief; for the youngest child, a boy of four years old, the joy and hope of his parents, was dead. Two daughters, the elder of whom was going to be confirmed, still remained: they were both good, charming girls; but the lost child always seems the dearest; and when it is youngest, and a son, it makes the trial still more heavy. The sisters mourned as young hearts can mourn, and were especially grieved at the sight of their parents' sorrow. The father's heart was bowed down, but the mother sunk completely under the deep grief. Day and night she had attended to the sick child, nursing and carrying it in her bosom, as a part of herself. She could not realize the fact that the child was dead, and must be laid in a coffin to rest in the ground. She thought God could not take her darling little one from her; and when it did happen notwithstanding her hopes and her belief, and there could be no more doubt on the subject, she said in her feverish agony, "God does not know it. He has hard-hearted ministering spirits on earth, who do according to their own will, and heed not a mother's prayers." Thus in her great grief she fell away from her faith in God, and dark thoughts arose in her mind respecting death and a future state. She tried to believe that man was but dust, and that with his life all existence ended. But these doubts were no support to her, nothing on which she could rest, and she sunk into the fathomless depths of despair. In her darkest hours she ceased to weep, and thought not of the young daughters who were still left to her. The tears of her husband fell on her forehead, but she took no notice of him; her thoughts were with her dead child; her whole existence seemed wrapped up in the remembrances of the little one and of every innocent word it had uttered.

The day of the little child's funeral came. For nights previously the mother had not slept, but in the morning twilight of this day she sunk from weariness into a deep sleep; in the mean time the coffin was carried into a distant room, and there nailed down, that she might not hear the blows of the hammer. When she awoke, and wanted to see her child, the husband, with tears, said, "We have closed the coffin; it was necessary to do so."

"When God is so hard to me, how can I expect men to be better?" she said with groans and tears.

The coffin was carried to the grave, and the disconsolate mother sat with her young daughters. She looked at them, but she saw them not; for her thoughts were far away from the domestic hearth. She gave herself up to her grief, and it tossed her to and fro, as the sea tosses a ship without compass or rudder. So the day of the funeral passed away, and similar days followed, of dark, wearisome pain. With tearful eyes and mournful glances, the sorrowing daughters and the afflicted husband looked upon her who would not hear their words of comfort; and, indeed, what comforting words could they speak, when they were themselves so full of grief? It seemed as if she would never again know sleep, and yet it would have been her best friend, one who would have strengthened her body and poured peace into her soul. They at last persuaded her to lie down, and then she would lie as still as if she slept.

One night, when her husband listened, as he often did, to her breathing, he quite believed that she had at length found rest and relief in sleep. He folded his arms and prayed, and soon sunk himself into healthful sleep; therefore he did not notice that his wife arose, threw on her clothes, and glided silently from the house, to go where her thoughts constantly lingered—to the grave of her child. She passed through the garden, to a path across a field that led to the churchyard. No one saw her as she walked, nor did she see any one; for her eyes were fixed upon the one object of her wanderings. It was a lovely starlight night in the beginning of September, and the air was mild and still. She entered the churchyard, and stood by the little grave, which looked like a large nosegay of fragrant flowers. She sat down, and bent her head low over the grave, as if she could see her child through the earth that covered him—her little boy, whose smile was so vividly before her, and the gentle expression of whose eyes, even on his sick-bed, she could not forget. How full of meaning that glance had been, as she leaned over him, holding in hers the pale hand which he had no longer strength to raise! As she had sat by his little cot, so now she sat by his grave; and here she could weep freely, and her tears fell upon it.

"Thou wouldst gladly go down and be with thy child," said a voice quite close to her,—a voice that sounded so deep and clear, that it went to her heart.

She looked up, and by her side stood a man wrapped in a black cloak, with a hood closely drawn over his face; but her keen glance could distinguish the face under the hood. It was stern, yet awakened confidence, and the eyes beamed with youthful radiance.

"Down to my child," she repeated; and tones of despair and entreaty sounded in the words.

"Darest thou to follow me?" asked the form. "I am Death."

She bowed her head in token of assent. Then suddenly it appeared as if all the stars were shining with the radiance of the full moon on the many-colored flowers that decked the grave. The earth that covered it was drawn back like a floating drapery. She sunk down, and the spectre covered her with a black cloak; night closed around her, the night of death. She sank deeper than the spade of the sexton could penetrate, till the churchyard became a roof above her. Then the cloak was removed, and she found herself in a large hall, of wide-spreading dimensions, in which there was a subdued light, like twilight, reigning, and in a moment her child appeared before her, smiling, and more beautiful than ever; with a silent cry she pressed him to her heart. A glorious strain of music sounded—now distant, now near. Never had she listened to such tones as these; they came from beyond a large dark curtain which separated the regions of death from the land of eternity.

"My sweet, darling mother," she heard the child say. It was the well-known, beloved voice; and kiss followed kiss, in boundless delight. Then the child pointed to the dark curtain. "There is nothing so beautiful on earth as it is here. Mother, do you not see them all? Oh, it is happiness indeed."

But the mother saw nothing of what the child pointed out, only the dark curtain. She looked with earthly eyes, and could not see as the child saw,—he whom God has called to be with Himself. She could hear the sounds of music, but she heard not the words, the Word in which she was to trust.

"I can fly now, mother," said the child; "I can fly with other happy children into the presence of the Almighty. I would fain fly away now; but if you weep for me as you are weeping now, you may never see me again. And yet I would go so gladly. May I not fly away? And you will come to me soon, will you not, dear mother?"

"Oh, stay, stay!" implored the mother; "only one moment more; only once more, that I may look upon thee, and kiss thee, and press thee to my heart."

Then she kissed and fondled her child. Suddenly her name was called from above; what could it mean? her name uttered in a plaintive voice.

"Hearest thou?" said the child. "It is my father who calls thee." And in a few moments deep sighs were heard, as of children weeping. "They are my sisters," said the child. "Mother, surely you have not forgotten them."

And then she remembered those she left behind, and a great terror came over her. She looked around her at the dark night. Dim forms flitted by. She seemed to recognize some of them, as they floated through the regions of death towards the dark curtain, where they vanished. Would her husband and her daughters flit past? No; their sighs and lamentations still sounded from above; and she had nearly forgotten them, for the sake of him who was dead.

"Mother, now the bells of heaven are ringing," said the child; "mother, the sun is going to rise."

An overpowering light streamed in upon her, the child had vanished, and she was being borne upwards. All around her became cold; she lifted her head, and saw that she was lying in the churchyard, on the grave of her child. The Lord, in a dream, had been a guide to her feet and a light to her spirit. She bowed her knees, and prayed for forgiveness. She had wished to keep back a soul from its immortal flight; she had forgotten her duties towards the living who were left her. And when she had offered this prayer, her heart felt lighter. The sun burst forth, over her head a little bird carolled his song, and the church-bells sounded for the early service. Everything around her seemed holy, and her heart was chastened. She acknowledged the goodness of God, she acknowledged the duties she had to perform, and eagerly she returned home. She bent over her husband, who still slept; her warm, devoted kiss awakened him, and words of heartfelt love fell from the lips of both. Now she was gentle and strong as a wife can be; and from her lips came the words of faith: "Whatever He doeth is right and best."

Then her husband asked, "From whence hast thou all at once derived such strength and comforting faith?"

And as she kissed him and her children, she said, "It came from God, through my child in the grave."

CHILDREN'S PRATTLE

At a rich merchant's house there was a children's party, and the children of rich and great people were there. The merchant was a learned man, for his father had sent him to college, and he had passed his examination. His father had been at first only a cattle dealer, but always honest and industrious, so that he had made money, and his son, the merchant, had managed to increase his store. Clever as he was, he had also a heart; but there was less said of his heart than of his money. All descriptions of people visited at the merchant's house, well born, as well as intellectual, and some who possessed neither of these recommendations.

Now it was a children's party, and there was children's prattle, which always is spoken freely from the heart. Among them was a beautiful little girl, who was terribly proud; but this had been taught her by the servants, and not by her parents, who were far too sensible people.

Her father was groom of the Chambers, which is a high office at court, and she knew it. "I am a child of the court," she said; now she might just as well have been a child of the cellar, for no one can help his birth; and then she told the other children that she was well-born, and said that no one who was not well-born could rise in the world. It was no use to read and be industrious, for if a person was not well-born, he could never achieve anything. "And those whose names end with 'sen,'" said she, "can never be anything at all. We must put our arms akimbo, and make the elbow quite pointed, so as to keep these 'sen' people at a great distance." And then she stuck out her pretty little arms, and made the elbows quite pointed, to show how it was to be done; and her little arms were very pretty, for she was a sweet-looking child.

But the little daughter of the merchant became very angry at this speech, for her father's name was Petersen, and she knew that the name ended in "sen," and therefore she said as proudly as she could, "But my papa can buy a hundred dollars' worth of bonbons, and give them away to children. Can your papa do that?"

"Yes; and my papa," said the little daughter of the editor of a paper, "my papa can put your papa and everybody's papa into the newspaper. All sorts of people are afraid of him, my mamma says, for he can do as he likes with the paper." And the little maiden looked exceedingly proud, as if she had been a real princess, who may be expected to look proud.

But outside the door, which stood ajar, was a poor boy, peeping through the crack of the door. He was of such a lowly station that he had not been allowed even to enter the room. He had been turning the spit for the cook, and she had given him permission to stand behind the door and peep in at the well-dressed children, who were having such a merry time within; and for him that was a great deal. "Oh, if I could be one of them," thought he, and then he heard what was said about names, which was quite enough to make him more unhappy. His parents at home had not even a penny to spare to buy a newspaper, much less could they write in one; and worse than all, his father's name, and of course his own, ended in "sen," and therefore he could never turn out well, which was a very sad thought. But after all, he had been born into the world, and the station of life had been chosen for him, therefore he must be content.

And this is what happened on that evening.

Many years passed, and most of the children became grown-up persons.

There stood a splendid house in the town, filled with all kinds of beautiful and valuable objects. Everybody wished to see it, and people even came in from the country round to be permitted to view the treasures it contained.

Which of the children whose prattle we have described, could call this house his own? One would suppose it very easy to guess. No, no; it is not so very easy. The house belonged to the poor little boy who had stood on that night behind the door. He had really become something great, although his name ended in "sen,"—for it was Thorwaldsen.

And the three other children—the children of good birth, of money, and of intellectual pride,—well, they were respected and honored in the world, for they had been well provided for by birth and position, and they had no cause to reproach themselves with what they had thought and spoken on that evening long ago, for, after all, it was mere "children's prattle."

THE FARM-YARD COCK AND THE WEATHER-COCK

There were two cocks—one on the dung-hill, the other on the roof. They were both arrogant, but which of the two rendered most service? Tell us your opinion—we'll keep to ours just the same though.

The poultry yard was divided by some planks from another yard in which there was a dung-hill, and on the dung-hill lay and grew a large cucumber which was conscious of being a hot-bed plant.

"One is born to that," said the cucumber to itself. "Not all can be born cucumbers; there must be other things, too. The hens, the ducks, and all the animals in the next yard are creatures too. Now I have a great opinion of the yard cock on the plank; he is certainly of much more importance than the weather-cock who is placed so high and can't even creak, much less crow. The latter has neither hens nor chicks, and only thinks of himself and perspires verdigris. No, the yard cock is really a cock! His step is a dance! His crowing is music, and wherever he goes one knows what a trumpeter is like! If he would only come in here! Even if he ate me up stump, stalk, and all, and I had to dissolve in his body, it would be a happy death," said the cucumber.

In the night there was a terrible storm. The hens, chicks, and even the cock sought shelter; the wind tore down the planks between the two yards with a crash; the tiles came tumbling down, but the weather-cock sat firm. He did not even turn round, for he could not; and yet he was young and freshly cast, but prudent and sedate. He had been born old, and did not at all resemble the birds flying in the air—the sparrows, and the swallows; no, he despised them, these mean little piping birds, these common whistlers. He admitted that the pigeons, large and white and shining like mother-o'-pearl, looked like a kind of weather-cock; but they were fat and stupid, and all their thoughts and endeavours were directed to filling themselves with food, and besides, they were tiresome things to converse with. The birds of passage had also paid the weather-cock a visit and told him of foreign countries, of airy caravans and robber stories that made one's hair stand on end. All this was new and interesting; that is, for the first time, but afterwards, as the weather-cock found out, they repeated themselves and always told the same stories, and that's very tedious, and there was no one with whom one could associate, for one and all were stale and small-minded.

"The world is no good!" he said. "Everything in it is so stupid."

The weather-cock was puffed up, and that quality would have made him interesting in the eyes of the cucumber if it had known it, but it had eyes only for the yard cock, who was now in the yard with it.

The wind had blown the planks, but the storm was over.

"What do you think of that crowing?" said the yard cock to the hens and chickens. "It was a little rough—it wanted elegance."

And the hens and chickens came up on the dung-hill, and the cock strutted about like a lord.

"Garden plant!" he said to the cucumber, and in that one word his deep learning showed itself, and it forgot that he was pecking at her and eating it up. "A happy death!"

The hens and the chickens came, for where one runs the others run too; they clucked, and chirped, and looked at the cock, and were proud that he was of their kind.

"Cock-a-doodle-doo!" he crowed, "the chickens will grow up into great hens at once, if I cry it out in the poultry-yard of the world!"

And hens and chicks clucked and chirped, and the cock announced a great piece of news.

"A cock can lay an egg! And do you know what's in that egg? A basilisk. No one can stand the sight of such a thing; people know that, and now you know it too—you know what is in me, and what a champion of all cocks I am!"

With that the yard cock flapped his wings, made his comb swell up, and crowed again; and they all shuddered, the hens and the little chicks—but they were very proud that one of their number was such a champion of all cocks. They clucked and chirped till the weather-cock heard; he heard it; but he did not stir.

"Everything is very stupid," the weather-cock said to himself. "The yard cock lays no eggs, and I am too lazy to do so; if I liked, I could lay a wind-egg. But the world is not worth even a wind-egg. Everything is so stupid! I don't want to sit here any longer."

With that the weather-cock broke off; but he did not kill the yard cock, although the hens said that had been his intention. And what is the moral? "Better to crow than to be puffed up and break off!"

THE DAISY

Now listen! In the country, close by the high road, stood a farmhouse; perhaps you have passed by and seen it yourself. There was a little flower garden with painted wooden palings in front of it; close by was a ditch, on its fresh green bank grew a little daisy; the sun shone as warmly and brightly upon it as on the magnificent garden flowers, and therefore it thrived well. One morning it had quite opened, and its little snow-white petals stood round the yellow centre, like the rays of the sun. It did not mind that nobody saw it in the grass, and that it was a poor despised flower; on the contrary, it was quite happy, and turned towards the sun, looking upward and listening to the song of the lark high up in the air.

The little daisy was as happy as if the day had been a great holiday, but it was only Monday. All the children were at school, and while they were sitting on the forms and learning their lessons, it sat on its thin green stalk and learnt from the sun and from its surroundings how kind God is, and it rejoiced that the song of the little lark expressed so sweetly and distinctly its own feelings. With a sort of reverence the daisy looked up to the bird that could fly and sing, but it did not feel envious. "I can see and hear," it thought; "the sun shines upon me, and the forest kisses me. How rich I am!"

In the garden close by grew many large and magnificent flowers, and, strange to say, the less fragrance they had the haughtier and prouder they were. The peonies puffed themselves up in order to be larger than the roses, but size is not everything! The tulips had the finest colours, and they knew it well, too, for they were standing bolt upright like candles, that one might see them the better. In their pride they did not see the little daisy, which looked over to them and thought, "How rich and beautiful they are! I am sure the pretty bird will fly down and call upon them. Thank God, that I stand so near and can at least see all the splendour." And while the daisy was still thinking, the lark came flying down, crying "Tweet," but not to the peonies and tulips—no, into the grass to the poor daisy. Its joy was so great that it did not know what to think. The little bird hopped round it and sang, "How beautifully soft the grass is, and what a lovely little flower with its golden heart and silver dress is growing here." The yellow centre in the daisy did indeed look like gold, while the little petals shone as brightly as silver.

How happy the daisy was! No one has the least idea. The bird kissed it with its beak, sang to it, and then rose again up to the blue sky. It was certainly more than a quarter of an hour before the daisy recovered its senses. Half ashamed, yet glad at heart, it looked over to the other flowers in the garden; surely they had witnessed its pleasure and the honour that had been done to it; they understood its joy. But the tulips stood more stiffly than ever, their faces were pointed and red, because they were vexed. The peonies were sulky; it was well that they could not speak, otherwise they would have given the daisy a good lecture. The little flower could very well see that they were ill at ease, and pitied them sincerely.

Shortly after this a girl came into the garden, with a large sharp knife. She went to the tulips and began cutting them off, one after another. "Ugh!" sighed the daisy, "that is terrible; now they are done for."

The girl carried the tulips away. The daisy was glad that it was outside, and only a small flower—it felt very grateful. At sunset it folded its petals, and fell asleep, and dreamt all night of the sun and the little bird.

On the following morning, when the flower once more stretched forth its tender petals, like little arms, towards the air and light, the daisy recognised the bird's voice, but what it sang sounded so sad. Indeed the poor bird had good reason to be sad, for it had been caught and put into a cage close by the open window. It sang of the happy days when it could merrily fly about, of fresh green corn in the fields, and of the time when it could soar almost up to the clouds. The poor lark was most unhappy as a prisoner in a cage. The little daisy would have liked so much to help it, but what could be done? Indeed, that was very difficult for such a small flower to find out. It entirely forgot how beautiful everything around it was, how warmly the sun was shining, and how splendidly white its own petals were. It could only think of the poor captive bird, for which it could do nothing. Then two little boys came out of the garden; one of them had a large sharp knife, like that with which the girl had cut the tulips. They came straight towards the little daisy, which could not understand what they wanted.

"Here is a fine piece of turf for the lark," said one of the boys, and began to cut out a square round the daisy, so that it remained in the centre of the grass.

"Pluck the flower off," said the other boy, and the daisy trembled for fear, for to be pulled off meant death to it; and it wished so much to live, as it was to go with the square of turf into the poor captive lark's cage.

"No let it stay," said the other boy, "it looks so pretty."

And so it stayed, and was brought into the lark's cage. The poor bird was lamenting its lost liberty, and beating its wings against the wires; and the little daisy could not speak or utter a consoling word, much as it would have liked to do so. So the forenoon passed.

"I have no water," said the captive lark, "they have all gone out, and forgotten to give me anything to drink. My throat is dry and burning. I feel as if I had fire and ice within me, and the air is so oppressive. Alas! I must die, and part with the warm sunshine, the fresh green meadows, and all the beauty that God has created." And it thrust its beak into the piece of grass, to refresh itself a little. Then it noticed the little daisy, and nodded to it, and kissed it with its beak and said: "You must also fade in here, poor little flower. You and the piece of grass are all they have given me in exchange for the whole world, which I enjoyed outside. Each little blade of grass shall be a green tree for me, each of your white petals a fragrant flower. Alas! you only remind me of what I have lost."

"I wish I could console the poor lark," thought the daisy. It could not move one of its leaves, but the fragrance of its delicate petals streamed forth, and was much stronger than such flowers usually have: the bird noticed it, although it was dying with thirst, and in its pain tore up the green blades of grass, but did not touch the flower.

The evening came, and nobody appeared to bring the poor bird a drop of water; it opened its beautiful wings, and fluttered about in its anguish; a faint and mournful "Tweet, tweet," was all it could utter, then it bent its little head towards the flower, and its heart broke for want and longing. The flower could not, as on the previous evening, fold up its petals and sleep; it dropped sorrowfully. The boys only came the next morning; when they saw the dead bird, they began to cry bitterly, dug a nice grave for it, and adorned it with flowers. The bird's body was placed in a pretty red box; they wished to bury it with royal honours. While it was alive and sang they forgot it, and let it suffer want in the cage; now, they cried over it and covered it with flowers. The piece of turf, with the little daisy in it, was thrown out on the dusty highway. Nobody thought of the flower which had felt so much for the bird and had so greatly desired to comfort it.

THE DARNING-NEEDLE

There was once a darning-needle who thought herself so fine that she fancied she must be fit for embroidery. "Hold me tight," she would say to the fingers, when they took her up, "don't let me fall; if you do I shall never be found again, I am so very fine."

"That is your opinion, is it?" said the fingers, as they seized her round the body.

"See, I am coming with a train," said the darning-needle, drawing a long thread after her; but there was no knot in the thread.

The fingers then placed the point of the needle against the cook's slipper. There was a crack in the upper leather, which had to be sewn together.

"What coarse work!" said the darning-needle, "I shall never get through. I shall break! —I am breaking!" and sure enough she broke. "Did I not say so?" said the darning-needle, "I know I am too fine for such work as that."

"This needle is quite useless for sewing now," said the fingers; but they still held it fast, and the cook dropped some sealing-wax on the needle, and fastened her handkerchief with it in front.

"So now I am a breast-pin," said the darning-needle; "I knew very well I should come to honor some day: merit is sure to rise;" and she laughed, quietly to herself, for of course no one ever saw a darning-needle laugh. And there she sat as proudly as if she were in a state coach, and looked all around her. "May I be allowed to ask if you are made of gold?" she inquired of her neighbor, a pin; "you have a very pretty appearance, and a curious head, although you are rather small. You must take pains to grow, for it is not every one who has sealing-wax dropped upon him;" and as she spoke, the darning-needle drew herself up so proudly that she fell out of the handkerchief right into the sink, which the cook was cleaning. "Now I am going on a journey," said the needle, as she floated away with the dirty water, "I do hope I shall not be lost." But she really was lost in a gutter. "I am too fine for this world," said the darning-needle, as she lay in the gutter; "but I know who I am, and that is always some comfort." So the darning-needle kept up her proud behavior, and did not lose her good humor. Then there floated over her all sorts of things,—chips and straws, and pieces of old newspaper. "See how they sail," said the darning-needle; "they do not know what is under them. I am here, and here I shall stick. See, there goes a chip, thinking of nothing in the world but himself—only a chip. There's a straw going by now; how he turns and twists about! Don't be thinking too much of yourself, or you may chance to run against a stone. There swims a piece of newspaper; what is written upon it has been forgotten long ago, and yet it gives itself airs. I sit here patiently and quietly. I know who I am, so I shall not move."

One day something lying close to the darning-needle glittered so splendidly that she thought it was a diamond; yet it was only a piece of broken bottle. The darning-needle spoke to it, because it sparkled, and represented herself as a breast-pin. "I suppose you are really a diamond?" she said.

"Why yes, something of the kind," he replied; and so each believed the other to be very valuable, and then they began to talk about the world, and the conceited people in it.

"I have been in a lady's work-box," said the darning-needle, "and this lady was the cook. She had on each hand five fingers, and anything so conceited as these five fingers I have never seen; and yet they were only employed to take me out of the box and to put me back again."

"Were they not high-born?"

"High-born!" said the darning-needle, "no indeed, but so haughty. They were five brothers, all born fingers; they kept very proudly together, though they were of different lengths. The one who stood first in the rank was named the thumb, he was short and thick, and had only one joint in his back, and could therefore make but one bow; but he said that if he were cut off from a man's hand, that man would be unfit for a soldier. Sweet-tooth, his neighbor, dipped himself into sweet or sour, pointed to the sun and moon, and formed the letters when the fingers wrote. Longman, the middle finger, looked over the heads of all the others. Gold-band, the next finger, wore a golden circle round his waist. And little Playman did nothing at all, and seemed proud of it. They were boasters, and boasters they will remain; and therefore I left them."

"And now we sit here and glitter," said the piece of broken bottle.

At the same moment more water streamed into the gutter, so that it overflowed, and the piece of bottle was carried away.

"So he is promoted," said the darning-needle, "while I remain here; I am too fine, but that is my pride, and what do I care?" And so she sat there in her pride, and had many such thoughts as these,—"I could almost fancy that I came from a sunbeam, I am so fine. It seems as if the sunbeams were always looking for me under the water. Ah! I am so fine that even my mother cannot find me. Had I still my old eye, which was broken off, I believe I should weep; but no, I would not do that, it is not genteel to cry."

One day a couple of street boys were paddling in the gutter, for they sometimes found old nails, farthings, and other treasures. It was dirty work, but they took great pleasure in it. "Hallo!" cried one, as he pricked himself with the darning-needle, "here's a fellow for you."

"I am not a fellow, I am a young lady," said the darning-needle; but no one heard her.

The sealing-wax had come off, and she was quite black; but black makes a person look slender, so she thought herself even finer than before.

"Here comes an egg-shell sailing along," said one of the boys; so they stuck the darning-needle into the egg-shell.

"White walls, and I am black myself," said the darning-needle, "that looks well; now I can be seen, but I hope I shall not be sea-sick, or I shall break again." She was not sea-sick, and she did not break. "It is a good thing against sea-sickness to have a steel stomach, and not to forget one's own importance. Now my sea-sickness has past: delicate people can bear a great deal."

Crack went the egg-shell, as a waggon passed over it. "Good heavens, how it crushes!" said the darning-needle. "I shall be sick now. I am breaking!" but she did not break, though the waggon went over her as she lay at full length; and there let her lie.

DELAYING IS NOT FORGETTING

There was an old mansion surrounded by a marshy ditch with a drawbridge which was but seldom let down:—not all guests are good people. Under the roof were loopholes to shoot through, and to pour down boiling water or even molten lead on the enemy, should he approach. Inside the house the rooms were very high and had ceilings of beams, and that was very useful considering the great deal of smoke which rose up from the chimney fire where the large, damp logs of wood smouldered. On the walls hung pictures of knights in armour and proud ladies in gorgeous dresses; the most stately of all walked about alive. She was called Meta Mogen; she was the mistress of the house, to her belonged the castle.

Towards the evening robbers came; they killed three of her people and also the yard-dog, and attached Mrs. Meta to the kennel by the chain, while they themselves made good cheer in the hall and drank the wine and the good ale out of her cellar. Mrs. Meta was now on the chain, she could not even bark.

But lo! the servant of one of the robbers secretly approached her; they must not see it, otherwise they would have killed him.

"Mrs. Meta Mogen," said the fellow, "do you still remember how my father, when your husband was still alive, had to ride on the wooden horse? You prayed for him, but it was no good, he was to ride until his limbs were paralysed; but you stole down to him, as I steal now to you, you yourself put little stones under each of his feet that he might have support, nobody saw it, or they pretended not to see it, for you were then the young gracious mistress. My father has told me this, and I have not forgotten it! Now I will free you, Mrs. Meta Mogen!"

Then they pulled the horses out of the stable and rode off in rain and wind to obtain the assistance of friends.

"Thus the small service done to the old man was richly rewarded!" said Meta Mogen.

"Delaying is not forgetting," said the fellow.

The robbers were hanged.

There was an old mansion, it is still there; it did not belong to Mrs. Meta Mogen, it belonged to another old noble family.

We are now in the present time. The sun is shining on the gilt knob of the tower, little wooded islands lie like bouquets on the water, and wild swans are swimming round them. In the garden grow roses; the mistress of the house is herself the finest rose petal, she beams with joy, the joy of good deeds: however, not done in the wide world, but in her heart, and what is preserved there is not forgotten. Delaying is not forgetting!

Now she goes from the mansion to a little peasant hut in the field. Therein lives a poor paralysed girl; the window of her little room looks northward, the sun does not enter here. The girl can only see a small piece of field which is surrounded by a high fence. But to-day the sun shines here—the warm, beautiful sun of God is within the little room; it comes from the south through the new window, where formerly the wall was.

The paralysed girl sits in the warm sunshine and can see the wood and the lake; the world had become so large, so beautiful, and only through a single word from the kind mistress of the mansion.

"The word was so easy, the deed so small," she said, "the joy it afforded me was infinitely great and sweet!"

And therefore she does many a good deed, thinks of all in the humble cottages and in the rich mansions, where there are also afflicted ones. It is concealed and hidden, but God does not forget it. Delayed is not forgotten!

An old house stood there; it was in the large town with its busy traffic. There are rooms and halls in it, but we do not enter them, we remain in the kitchen, where it is warm and light, clean and tidy; the copper utensils are shining, the table as if polished with beeswax; the sink looks like a freshly scoured meatboard. All this a single servant has done, and yet she has time to spare as if she wished to go to church; she wears a bow on her cap, a black bow, that signifies mourning. But she has no one to mourn, neither father nor mother, neither relations nor sweetheart. She is a poor girl. One day she was engaged to a poor fellow; they loved each other dearly.

One day he came to her and said:

"We both have nothing! The rich widow over the way in the basement has made advances to me; she will make me rich, but you are in my heart; what do you advise me to do?"

"I advise you to do what you think will turn out to your happiness," said the girl. "Be kind and good to her, but remember this; from the hour we part we shall never see each other again."

Years passed; then one day she met the old friend and sweetheart in the street; he looked ill and miserable, and she could not help asking him, "How are you?"

"Rich and prospering in every respect," he said; "the woman is brave and good, but you are in my heart. I have fought the battle, it will soon be ended; we shall not see each other again now until we meet before God!"

A week has passed; this morning his death was in the newspaper, that is the reason of the girl's mourning! Her old sweetheart is dead and has left a wife and three step-children, as the paper says; it sounds as if there is a crack, but the metal is pure.

The black bow signifies mourning, the girl's face points to the same in a still higher degree; it is preserved in the heart and will never be forgotten. Delaying is not forgetting!

These are three stories you see, three leaves on the same stalk. Do you wish for some more trefoil leaves? In the little heartbook are many more of them. Delaying is not forgetting!

THE DROP OF WATER

Of course you know what is meant by a magnifying glass—one of those round spectacle-glasses that make everything look a hundred times bigger than it is? When any one takes one of these and holds it to his eye, and looks at a drop of water from the pond yonder, he sees above a thousand wonderful creatures that are otherwise never discerned in the water. But there they are, and it is no delusion. It almost looks like a great plateful of spiders jumping about in a crowd. And how fierce they are! They tear off each other's legs and arms and bodies, before and behind; and yet they are merry and joyful in their way.

Now, there once was an old man whom all the people called Kribble-Krabble, for that was his name. He always wanted the best of everything, and when he could not manage it otherwise, he did it by magic.

There he sat one day, and held his magnifying-glass to his eye, and looked at a drop of water that had been taken out of a puddle by the ditch. But what a kribbling and krabbling was there! All the thousands of little creatures hopped and sprang and tugged at one another, and ate each other up.

"That is horrible!" said old Kribble-Krabble. "Can one not persuade them to live in peace and quietness, so that each one may mind his own business?"

And he thought it over and over, but it would not do, and so he had recourse to magic.

"I must give them color, that they may be seen more plainly," said he; and he poured something like a little drop of red wine into the drop of water, but it was witches' blood from the lobes of the ear, the finest kind, at ninepence a drop. And now the wonderful little creatures were pink all over. It looked like a whole town of naked wild men.

"What have you there?" asked another old magician, who had no name—and that was the best thing about him.

"Yes, if you can guess what it is," said Kribble-Krabble, "I'll make you a present of it."

But it is not so easy to find out if one does not know.

And the magician who had no name looked through the magnifying-glass.

It looked really like a great town reflected there, in which all the people were running about without clothes. It was terrible! But it was still more terrible to see how one beat and pushed the other, and bit and hacked, and tugged and mauled him. Those at the top were being pulled down, and those at the bottom were struggling upwards.

"Look! look! his leg is longer than mine! Bah! Away with it! There is one who has a little bruise. It hurts him, but it shall hurt him still more."

And they hacked away at him, and they pulled at him, and ate him up, because of the little bruise. And there was one sitting as still as any little maiden, and wishing only for peace and quietness. But now she had to come out, and they tugged at her, and pulled her about, and ate her up.

"That's funny!" said the magician.

"Yes; but what do you think it is?" said Kribble-Krabble. "Can you find that out?"

"Why, one can see that easily enough," said the other. "That's Paris, or some other great city, for they're all alike. It's a great city!"

"It's a drop of puddle water!" said Kribble-Krabble.

THE DRYAD

We are travelling to Paris to the Exhibition.

Now we are there. That was a journey, a flight without magic. We flew on the wings of steam over the sea and across the land.

Yes, our time is the time of fairy tales.

We are in the midst of Paris, in a great hotel. Blooming flowers ornament the staircases, and soft carpets the floors.

Our room is a very cosy one, and through the open balcony door we have a view of a great square. Spring lives down there; it has come to Paris, and arrived at the same time with us. It has come in the shape of a glorious young chestnut tree, with delicate leaves newly opened. How the tree gleams, dressed in its spring garb, before all the other trees in the place! One of these latter had been struck out of the list of living trees. It lies on the ground with roots exposed. On the place where it stood, the young chestnut tree is to be planted, and to flourish.

It still stands towering aloft on the heavy wagon which has brought it this morning a distance of several miles to Paris. For years it had stood there, in the protection of a mighty oak tree, under which the old venerable clergyman had often sat, with children listening to his stories.

The young chestnut tree had also listened to the stories; for the Dryad who lived in it was a child also. She remembered the time when the tree was so little that it only projected a short way above the grass and ferns around. These were as tall as they would ever be; but the tree grew every year, and enjoyed the air and the sunshine, and drank the dew and the rain. Several times it was also, as it must be, well shaken by the wind and the rain; for that is a part of education.

The Dryad rejoiced in her life, and rejoiced in the sunshine, and the singing of the birds; but she was most rejoiced at human voices; she understood the language of men as well as she understood that of animals.

Butterflies, cockchafers, dragon-flies, everything that could fly came to pay a visit. They could all talk. They told of the village, of the vineyard, of the forest, of the old castle with its parks and canals and ponds. Down in the water dwelt also living beings, which, in their way, could fly under the water from one place to another—beings with knowledge and delineation. They said nothing at all; they were so clever!

And the swallow, who had dived, told about the pretty little goldfish, of the thick turbot, the fat brill, and the old carp. The swallow could describe all that very well, but, "Self is the man," she said. "One ought to see these things one's self." But how was the Dryad ever to see such beings? She was obliged to be satisfied with being able to look over the beautiful country and see the busy industry of men.

It was glorious; but most glorious of all when the old clergyman sat under the oak tree and talked of France, and of the great deeds of her sons and daughters, whose names will be mentioned with admiration through all time.

Then the Dryad heard of the shepherd girl, Joan of Arc, and of Charlotte Corday; she heard about Henry the Fourth, and Napoleon the First; she heard names whose echo sounds in the hearts of the people.

The village children listened attentively, and the Dryad no less attentively; she became a school-child with the rest. In the clouds that went sailing by she saw, picture by picture, everything that she heard talked about. The cloudy sky was her picture-book.

She felt so happy in beautiful France, the fruitful land of genius, with the crater of freedom. But in her heart the sting remained that the bird, that every animal that could fly, was much better off than she. Even the fly could look about more in the world, far beyond the Dryad's horizon.

France was so great and so glorious, but she could only look across a little piece of it. The land stretched out, world-wide, with vineyards, forests and great cities. Of all these Paris was the most splendid and the mightiest. The birds could get there; but she, never!

Among the village children was a little ragged, poor girl, but a pretty one to look at. She was always laughing or singing and twining red flowers in her black hair.

"Don't go to Paris!" the old clergyman warned her. "Poor child! if you go there, it will be your ruin."

But she went for all that.

The Dryad often thought of her; for she had the same wish, and felt the same longing for the great city.

The Dryad's tree was bearing its first chestnut blossoms; the birds were twittering round them in the most beautiful sunshine. Then a stately carriage came rolling along that way, and in it sat a grand lady driving the spirited, light-footed horses. On the back seat a little smart groom balanced himself. The Dryad knew the lady, and the old clergyman knew her also. He shook his head gravely when he saw her, and said:

"So you went there after all, and it was your ruin, poor Mary!"

"That one poor?" thought the Dryad. "No; she wears a dress fit for a countess" (she had become one in the city of magic changes). "Oh, if I were only there, amid all the splendor and pomp! They shine up into the very clouds at night; when I look up, I can tell in what direction the town lies."

Towards that direction the Dryad looked every evening. She saw in the dark night the gleaming cloud on the horizon; in the clear moonlight nights she missed the sailing clouds, which showed her pictures of the city and pictures from history.

The child grasps at the picture-books, the Dryad grasped at the cloud-world, her thought-book. A sudden, cloudless sky was for her a blank leaf; and for several days she had only had such leaves before her.

It was in the warm summer-time: not a breeze moved through the glowing hot days. Every leaf, every flower, lay as if it were torpid, and the people seemed torpid, too.

Then the clouds arose and covered the region round about where the gleaming mist announced "Here lies Paris."

The clouds piled themselves up like a chain of mountains, hurried on through the air, and spread themselves abroad over the whole landscape, as far as the Dryad's eye could reach.

Like enormous blue-black blocks of rock, the clouds lay piled over one another. Gleams of lightning shot forth from them.

"These also are the servants of the Lord God," the old clergyman had said. And there came a bluish dazzling flash of lightning, a lighting up as if of the sun itself, which could burst blocks of rock asunder. The lightning struck and split to the roots the old venerable oak. The crown fell asunder. It seemed as if the tree were stretching forth its arms to clasp the messengers of the light.

No bronze cannon can sound over the land at the birth of a royal child as the thunder sounded at the death of the old oak. The rain streamed down; a refreshing wind was blowing; the storm had gone by, and there was quite a holiday glow on all things. The old clergyman spoke a few words for honorable remembrance, and a painter made a drawing, as a lasting record of the tree.

"Everything passes away," said the Dryad, "passes away like a cloud, and never comes back!"

The old clergyman, too, did not come back. The green roof of his school was gone, and his teaching-chair had vanished. The children did not come; but autumn came, and winter came, and then spring also. In all this change of seasons the Dryad looked toward the region where, at night, Paris gleamed with its bright mist far on the horizon.

Forth from the town rushed engine after engine, train after train, whistling and screaming at all hours in the day. In the evening, towards midnight, at daybreak, and all the day through, came the trains. Out of each one, and into each one, streamed people from the country of every king. A new wonder of the world had summoned them to Paris.

In what form did this wonder exhibit itself?

"A splendid blossom of art and industry," said one, "has unfolded itself in the Champ de Mars, a gigantic sunflower, from whose petals one can learn geography and statistics, and can become as wise as a lord mayor, and raise one's self to the level of art and poetry, and study the greatness and power of the various lands."

"A fairy tale flower," said another, "a many-colored lotus-plant, which spreads out its green leaves like a velvet carpet over the sand. The opening spring has brought it forth, the summer will see it in all its splendor, the autumn winds will sweep it away, so that not a leaf, not a fragment of its root shall remain."

In front of the Military School extends in time of peace the arena of war—a field without a blade of grass, a piece of sandy steppe, as if cut out of the Desert of Africa, where Fata Morgana displays her wondrous airy castles and hanging gardens. In the Champ de Mars, however, these were to be seen more splendid, more wonderful than in the East, for human art had converted the airy deceptive scenes into reality.

"The Aladdin's Palace of the present has been built," it was said. "Day by day, hour by hour, it unfolds more of its wonderful splendor."

The endless halls shine in marble and many colors. "Master Bloodless" here moves his limbs of steel and iron in the great circular hall of machinery. Works of art in metal, in stone, in Gobelins tapestry, announce the vitality of mind that is stirring in every land. Halls of paintings, splendor of flowers, everything that mind and skill can create in the workshop of the artisan, has been placed here for show. Even the memorials of ancient days, out of old graves and turf-moors, have appeared at this general meeting.

The overpowering great variegated whole must be divided into small portions, and pressed together like a plaything, if it is to be understood and described.

Like a great table on Christmas Eve, the Champ de Mars carried a wonder-castle of industry and art, and around this knickknacks from all countries had been ranged, knickknacks on a grand scale, for every nation found some remembrance of home.

Here stood the royal palace of Egypt, there the caravanserai of the desert land. The Bedouin had quitted his sunny country, and hastened by on his camel. Here stood the Russian stables, with the fiery glorious horses of the steppe. Here stood the simple straw-thatched dwelling of the Danish peasant, with the Dannebrog flag, next to Gustavus Vasa's wooden house from Dalarne, with its wonderful carvings. American huts, English cottages, French pavilions, kiosks, theatres, churches, all strewn around, and between them the fresh green turf, the clear springing water, blooming bushes, rare trees, hothouses, in which one might fancy one's self transported into the tropical forest; whole gardens brought from Damascus, and blooming under one roof. What colors, what fragrance!

Artificial grottoes surrounded bodies of fresh or salt water, and gave a glimpse into the empire of the fishes; the visitor seemed to wander at the bottom of the sea, among fishes and polypi.

"All this," they said, "the Champ de Mars offers;" and around the great richly-spread table the crowd of human beings moves like a busy swarm of ants, on foot or in little carriages, for not all feet are equal to such a fatiguing journey.

Hither they swarm from morning till late in the evening. Steamer after steamer, crowded with people, glides down the Seine. The number of carriages is continually on the increase. The swarm of people on foot and on horseback grows more and more dense. Carriages and omnibuses are crowded, stuffed and embroidered with people. All these tributary streams flow in one direction—towards the Exhibition. On every entrance the flag of France is displayed; around the world's bazaar wave the flags of all nations. There is a humming and a murmuring from the hall of the machines; from the towers the melody of the chimes is heard; with the tones of the organs in the churches mingle the hoarse nasal songs from the cafes of the East. It is a kingdom of Babel, a wonder of the world!

In very truth it was. That's what all the reports said, and who did not hear them? The Dryad knew everything that is told here of the new wonder in the city of cities.

"Fly away, ye birds! fly away to see, and then come back and tell me," said the Dryad.

The wish became an intense desire—became the one thought of a life. Then, in the quiet silent night, while the full moon was shining, the Dryad saw a spark fly out of the moon's disc, and fall like a shooting star. And before the tree, whose leaves waved to and fro as if they were stirred by a tempest, stood a noble, mighty, and grand figure. In tones that were at once rich and strong, like the trumpet of the Last Judgment bidding farewell to life and summoning to the great account, it said:

"Thou shalt go to the city of magic; thou shalt take root there, and enjoy the mighty rushing breezes, the air and the sunshine there. But the time of thy life shall then be shortened; the line of years that awaited thee here amid the free nature shall shrink to but a small tale. Poor Dryad! It shall be thy destruction. Thy yearning and longing will increase, thy desire will grow more stormy, the tree itself will be as a prison to thee, thou wilt quit thy cell and give up thy nature to fly out and mingle among men. Then the years that would have belonged to thee will be contracted to half the span of the ephemeral fly, that lives but a day: one night, and thy life-taper shall be blown out—the leaves of the tree will wither and be blown away, to become green never again!"

Thus the words sounded. And the light vanished away, but not the longing of the Dryad. She trembled in the wild fever of expectation.

"I shall go there!" she cried, rejoicingly. "Life is beginning and swells like a cloud; nobody knows whither it is hastening."

When the gray dawn arose and the moon turned pale and the clouds were tinted red, the wished-for hour struck. The words of promise were fulfilled.

People appeared with spades and poles; they dug round the roots of the tree, deeper and deeper, and beneath it. A wagon was brought out, drawn by many horses, and the tree was lifted up, with its roots and the lumps of earth that adhered to them; matting was placed around the roots, as though the tree had its feet in a warm bag. And now the tree was lifted on the wagon and secured with chains. The journey began—the journey to Paris. There the tree was to grow as an ornament to the city of French glory.

The twigs and the leaves of the chestnut tree trembled in the first moments of its being moved; and the Dryad trembled in the pleasurable feeling of expectation.

"Away! away!" it sounded in every beat of her pulse. "Away! away" sounded in words that flew trembling along. The Dryad forgot to bid farewell to the regions of home; she thought not of the waving grass and of the innocent daisies, which had looked up to her as to a great lady, a young Princess playing at being a shepherdess out in the open air.

The chestnut tree stood upon the wagon, and nodded his branches; whether this meant "farewell" or "forward," the Dryad knew not; she dreamed only of the marvellous new things, that seemed yet so familiar, and that were to unfold themselves before her. No child's heart rejoicing in innocence—no heart whose blood danced with passion—had set out on the journey to Paris more full of expectation than she.

Her "farewell" sounded in the words "Away! away!"

The wheels turned; the distant approached; the present vanished. The region was changed, even as the clouds change. New vineyards, forests, villages, villas appeared—came nearer—vanished!

The chestnut tree moved forward, and the Dryad went with it. Steam-engine after steam-engine rushed past, sending up into the air vapory clouds, that formed figures which told of Paris, whence they came, and whither the Dryad was going.

Everything around knew it, and must know whither she was bound. It seemed to her as if every tree she passed stretched out its leaves towards her, with the prayer—"Take me with you! take me with you!" for every tree enclosed a longing Dryad.

What changes during this flight! Houses seemed to be rising out of the earth—more and more—thicker and thicker. The chimneys rose like flower-pots ranged side by side, or in rows one above the other, on the roofs. Great inscriptions in letters a yard long, and figures in various colors, covering the walls from cornice to basement, came brightly out.

"Where does Paris begin, and when shall I be there?" asked the Dryad.

The crowd of people grew; the tumult and the bustle increased; carriage followed upon carriage; people on foot and people on horseback were mingled together; all around were shops on shops, music and song, crying and talking.

The Dryad, in her tree, was now in the midst of Paris. The great heavy wagon all at once stopped on a little square planted with trees. The high houses around had all of them balconies to the windows, from which the inhabitants looked down upon the young fresh chestnut tree, which was coming to be planted here as a substitute for the dead tree that lay stretched on the ground.

The passers-by stood still and smiled in admiration of its pure vernal freshness. The older trees, whose buds were still closed, whispered with their waving branches, "Welcome! welcome!" The fountain, throwing its jet of water high up in the air, to let it fall again in the wide stone basin, told the wind to sprinkle the new-comer with pearly drops, as if it wished to give him a refreshing draught to welcome him.

The Dryad felt how her tree was being lifted from the wagon to be placed in the spot where it was to stand. The roots were covered with earth, and fresh turf was laid on top. Blooming shrubs and flowers in pots were ranged around; and thus a little garden arose in the square.

The tree that had been killed by the fumes of gas, the steam of kitchens, and the bad air of the city, was put upon the wagon and driven away. The passers-by looked on. Children and old men sat upon the bench, and looked at the green tree. And we who are telling this story stood upon a balcony, and looked down upon the green spring sight that had been brought in from the fresh country air, and said, what the old clergyman would have said, "Poor Dryad!"

"I am happy! I am happy!" the Dryad cried, rejoicing; "and yet I cannot realize, cannot describe what I feel. Everything is as I fancied it, and yet as I did not fancy it."

The houses stood there, so lofty, so close! The sunlight shone on only one of the walls, and that one was stuck over with bills and placards, before which the people stood still; and this made a crowd.

Carriages rushed past, carriages rolled past; light ones and heavy ones mingled together. Omnibuses, those over-crowded moving houses, came rattling by; horsemen galloped among them; even carts and wagons asserted their rights.

The Dryad asked herself if these high-grown houses, which stood so close around her, would not remove and take other shapes, like the clouds in the sky, and draw aside, so that she might cast a glance into Paris, and over it. Notre Dame must show itself, the Vendome Column, and the wondrous building which had called and was still calling so many strangers to the city.

But the houses did not stir from their places. It was yet day when the lamps were lit. The gas-jets gleamed from the shops, and shone even into the branches of the trees, so that it was like sunlight in summer. The stars above made their appearance, the same to which the Dryad had looked up in her home. She thought she felt a clear pure stream of air which went forth from them. She felt herself lifted up and strengthened, and felt an increased power of seeing through every leaf and through every fibre of the root. Amid all the noise and the turmoil, the colors and the lights, she knew herself watched by mild eyes.

From the side streets sounded the merry notes of fiddles and wind instruments. Up! to the dance, to the dance! to jollity and pleasure! that was their invitation. Such music it was, that horses, carriages, trees, and houses would have danced, if they had known how. The charm of intoxicating delight filled the bosom of the Dryad.

"How glorious, how splendid it is!" she cried, rejoicingly. "Now I am in Paris!"

The next day that dawned, the next night that fell, offered the same spectacle, similar bustle, similar life; changing, indeed, yet always the same; and thus it went on through the sequence of days.

"Now I know every tree, every flower on the square here! I know every house, every balcony, every shop in this narrow cut-off corner, where I am denied the sight of this great mighty city. Where are the arches of triumph, the Boulevards, the wondrous building of the world? I see nothing of all this. As if shut up in a cage, I stand among the high houses, which I now know by heart, with their inscriptions, signs, and placards; all the painted confectionery, that is no longer to my taste. Where are all the things of which I heard, for which I longed, and for whose sake I wanted to come hither? what have I seized, found, won? I feel the same longing I felt before; I feel that there is a life I should wish to grasp and to experience. I must go out into the ranks of living men, and mingle among them. I must fly about like a bird. I must see and feel, and become human altogether. I must enjoy the one half-day, instead of vegetating for years in every-day sameness and weariness, in which I become ill, and at last sink and disappear like the dew on the meadows. I will gleam like the cloud, gleam in the sunshine of life, look out over the whole like the cloud, and pass away like it, no one knoweth whither."

Thus sighed the Dryad; and she prayed:

"Take from me the years that were destined for me, and give me but half of the life of the ephemeral fly! Deliver me from my prison! Give me human life, human happiness, only a short span, only the one night, if it cannot be otherwise; and then punish me for my wish to live, my longing for life! Strike me out of thy list. Let my shell, the fresh young tree, wither, or be hewn down, and burnt to ashes, and scattered to all the winds!"

A rustling went through the leaves of the tree; there was a trembling in each of the leaves; it seemed as if fire streamed through it. A gust of wind shook its green crown, and from the midst of that crown a female figure came forth. In the same moment she was sitting beneath the brightly-illuminated leafy branches, young and beautiful to behold, like poor Mary, to whom the clergyman had said, "The great city will be thy destruction."

The Dryad sat at the foot of the tree—at her house door, which she had locked, and whose key had thrown away. So young! so fair! The stars saw her, and blinked at her. The gas-lamps saw her, and gleamed and beckoned to her. How delicate she was, and yet how blooming! —a child, and yet a grown maiden! Her dress was fine as silk, green as the freshly-opened leaves on the crown of the tree; in her nut-brown hair clung a half-opened chestnut blossom. She looked like the Goddess of Spring.

For one short minute she sat motionless; then she sprang up, and, light as a gazelle, she hurried away. She ran and sprang like the reflection from the mirror that, carried by the sunshine, is cast, now here, now there. Could any one have followed her with his eyes, he would have seen how marvellously her dress and her form changed, according to the nature of the house or the place whose light happened to shine upon her.

She reached the Boulevards. Here a sea of light streamed forth from the gas-flames of the lamps, the shops and the cafes. Here stood in a row young and slender trees, each of which concealed its Dryad, and gave shade from the artificial sunlight. The whole vast pavement was one great festive hall, where covered tables stood laden with refreshments of all kinds, from champagne and Chartreuse down to coffee and beer. Here was an exhibition of flowers, statues, books, and colored stuffs.

From the crowd close by the lofty houses she looked forth over the terrific stream beyond the rows of trees. Yonder heaved a stream of rolling carriages, cabriolets, coaches, omnibuses, cabs, and among them riding gentlemen and marching troops. To cross to the opposite shore was an undertaking fraught with danger to life and limb. Now lanterns shed their radiance abroad; now the gas had the upper hand; suddenly a rocket rises! Whence? Whither?

Here are sounds of soft Italian melodies; yonder, Spanish songs are sung, accompanied by the rattle of the castanets; but strongest of all, and predominating over the rest, the street-organ tunes of the moment, the exciting "Can-Can" music, which Orpheus never knew, and which was never heard by the "Belle Helene." Even the barrow was tempted to hop upon one of its wheels.

The Dryad danced, floated, flew, changing her color every moment, like a humming-bird in the sunshine; each house, with the world belonging to it, gave her its own reflections.

As the glowing lotus-flower, torn from its stem, is carried away by the stream, so the Dryad drifted along. Whenever she paused, she was another being, so that none was able to follow her, to recognize her, or to look more closely at her.

Like cloud-pictures, all things flew by her. She looked into a thousand faces, but not one was familiar to her; she saw not a single form from home. Two bright eyes had remained in her memory. She thought of Mary, poor Mary, the ragged merry child, who wore the red flowers in her black hair. Mary was now here, in the world-city, rich and magnificent as in that day when she drove past the house of the old clergyman, and past the tree of the Dryad, the old oak.

Here she was certainly living, in the deafening tumult. Perhaps she had just stepped out of one of the gorgeous carriages in waiting. Handsome equipages, with coachmen in gold braid and footmen in silken hose, drove up. The people who alighted from them were all richly-dressed ladies. They went through the opened gate, and ascended the broad staircase that led to a building resting on marble pillars. Was this building, perhaps, the wonder of the world? There Mary would certainly be found.

"Sancta Maria!" resounded from the interior. Incense floated through the lofty painted and gilded aisles, where a solemn twilight reigned.

It was the Church of the Madeleine.

Clad in black garments of the most costly stuffs, fashioned according to the latest mode, the rich feminine world of Paris glided across the shining pavement. The crests of the proprietors were engraved on silver shields on the velvet-bound prayer-books, and embroidered in the corners of perfumed handkerchiefs bordered with Brussels lace. A few of the ladies were kneeling in silent prayer before the altars; others resorted to the confessionals.

Anxiety and fear took possession of the Dryad; she felt as if she had entered a place where she had no right to be. Here was the abode of silence, the hall of secrets. Everything was said in whispers, every word was a mystery.

The Dryad saw herself enveloped in lace and silk, like the women of wealth and of high birth around her. Had, perhaps, every one of them a longing in her breast, like the Dryad?

A deep, painful sigh was heard. Did it escape from some confessional in a distant corner, or from the bosom of the Dryad? She drew the veil closer around her; she breathed incense, and not the fresh air. Here was not the abiding-place of her longing.

Away! away—a hastening without rest. The ephemeral fly knows not repose, for her existence is flight.

She was out again among the gas candelabra, by a magnificent fountain.

"All its streaming waters are not able to wash out the innocent blood that was spilt here."

Such were the words spoken. Strangers stood around, carrying on a lively conversation, such as no one would have dared to carry on in the gorgeous hall of secrets whence the Dryad came.

A heavy stone slab was turned and then lifted. She did not understand why. She saw an opening that led into the depths below. The strangers stepped down, leaving the starlit air and the cheerful life of the upper world behind them.

"I am afraid," said one of the women who stood around, to her husband, "I cannot venture to go down, nor do I care for the wonders down yonder. You had better stay here with me."

"Indeed, and travel home," said the man, "and quit Paris without having seen the most wonderful thing of all—the real wonder of the present period, created by the power and resolution of one man!"

"I will not go down for all that," was the reply.

"The wonder of the present time," it had been called. The Dryad had heard and had understood it. The goal of her ardent longing had thus been reached, and here was the entrance to it. Down into the depths below Paris? She had not thought of such a thing; but now she heard it said, and saw the strangers descending, and went after them.

The staircase was of cast iron, spiral, broad and easy. Below there burned a lamp, and farther down, another. They stood in a labyrinth of endless halls and arched passages, all communicating with each other. All the streets and lanes of Paris were to be seen here again, as in a dim reflection. The names were painted up; and every house above had its number down here also, and struck its roots under the macadamized quays of a broad canal, in which the muddy water flowed onward. Over it the fresh streaming water was carried on arches; and quite at the top hung the tangled net of gas-pipes and telegraph-wires.

In the distance lamps gleamed, like a reflection from the world-city above. Every now and then a dull rumbling was heard. This came from the heavy wagons rolling over the entrance bridges.

Whither had the Dryad come?

You have, no doubt, heard of the CATACOMBS? Now they are vanishing points in that new underground world—that wonder of the present day—the sewers of Paris. The Dryad was there, and not in the world's Exhibition in the Champ de Mars.

She heard exclamations of wonder and admiration.

"From here go forth health and life for thousands upon thousands up yonder! Our time is the time of progress, with its manifold blessings."

Such was the opinion and the speech of men; but not of those creatures who had been born here, and who built and dwelt here—of the rats, namely, who were squeaking to one another in the clefts of a crumbling wall, quite plainly, and in a way the Dryad understood well.

A big old Father-Rat, with his tail bitten off, was relieving his feelings in loud squeaks; and his family gave their tribute of concurrence to every word he said:

"I am disgusted with this man-mewing," he cried—"with these outbursts of ignorance. A fine magnificence, truly! all made up of gas and petroleum! I can't eat such stuff as that. Everything here is so fine and bright now, that one's ashamed of one's self, without exactly knowing why. Ah, if we only lived in the days of tallow candles! and it does not lie so very far behind us. That was a romantic time, as one may say."

"What are you talking of there?" asked the Dryad. "I have never seen you before. What is it you are talking about?"

"Of the glorious days that are gone," said the Rat—"of the happy time of our great-grandfathers and great-grandmothers. Then it was a great thing to get down here. That was a rat's nest quite different from Paris. Mother Plague used to live here then; she killed people, but never rats. Robbers and smugglers could breathe freely here. Here was the meeting-place of the most interesting personages, whom one now only gets to see in the theatres where they act melodrama, up above. The time of romance is gone even in our rat's nest; and here also fresh air and petroleum have broken in."

Thus squeaked the Rat; he squeaked in honor of the old time, when Mother Plague was still alive.

A carriage stopped, a kind of open omnibus, drawn by swift horses. The company mounted and drove away along the Boulevard de Sebastopol, that is to say, the underground boulevard, over which the well-known crowded street of that name extended.

The carriage disappeared in the twilight; the Dryad disappeared, lifted to the cheerful freshness above. Here, and not below in the vaulted passages, filled with heavy air, the wonder work must be found which she was to seek in her short lifetime. It must gleam brighter than all the gas-flames, stronger than the moon that was just gliding past.

Yes, certainly, she saw it yonder in the distance, it gleamed before her, and twinkled and glittered like the evening star in the sky.

She saw a glittering portal open, that led to a little garden, where all was brightness and dance music. Colored lamps surrounded little lakes, in which were water-plants of colored metal, from whose flowers jets of water spurted up. Beautiful weeping willows, real products of spring, hung their fresh branches over these lakes like a fresh, green, transparent, and yet screening veil. In the bushes burnt an open fire, throwing a red twilight over the quiet huts of branches, into which the sounds of music penetrated—an ear tickling, intoxicating music, that sent the blood coursing through the veins.

Beautiful girls in festive attire, with pleasant smiles on their lips, and the light spirit of youth in their hearts—"Marys," with roses in their hair, but without carriage and postilion—flitted to and fro in the wild dance.

Where were the heads, where the feet? As if stung by tarantulas, they sprang, laughed, rejoiced, as if in their ecstacies they were going to embrace all the world.

The Dryad felt herself torn with them into the whirl of the dance. Round her delicate foot clung the silken boot, chestnut brown in color, like the ribbon that floated from her hair down upon her bare shoulders. The green silk dress waved in large folds, but did not entirely hide the pretty foot and ankle.

Had she come to the enchanted Garden of Armida? What was the name of the place?

The name glittered in gas-jets over the entrance. It was "Mabille."

The soaring upwards of rockets, the splashing of fountains, and the popping of champagne corks accompanied the wild bacchantic dance. Over the whole glided the moon through the air, clear, but with a somewhat crooked face.

A wild joviality seemed to rush through the Dryad, as though she were intoxicated with opium. Her eyes spoke, her lips spoke, but the sound of violins and of flutes drowned the sound of her voice. Her partner whispered words to her which she did not understand, nor do we understand them. He stretched out his arms to draw her to him, but he embraced only the empty air.

The Dryad had been carried away, like a rose-leaf on the wind. Before her she saw a flame in the air, a flashing light high up on a tower. The beacon light shone from the goal of her longing, shone from the red lighthouse tower of the Fata Morgana of the Champ de Mars. Thither she was carried by the wind. She circled round the tower; the workmen thought it was a butterfly that had come too early, and that now sank down dying.

The moon shone bright, gas-lamps spread light around, through the halls, over the all-world's buildings scattered about, over the rose-hills and the rocks produced by human ingenuity, from which waterfalls, driven by the power of "Master Bloodless," fell down. The caverns of the sea, the depths of the lakes, the kingdom of the fishes were opened here. Men walked as in the depths of the deep pond, and held converse with the sea, in the diving-bell of glass. The water pressed against the strong glass walls above and on every side. The polypi, eel-like living creatures, had fastened themselves to the bottom, and stretched out arms, fathoms long, for prey. A big turbot was making himself broad in front, quietly enough, but not without casting some suspicious glances aside. A crab clambered over him, looking like a gigantic spider, while the shrimps wandered about in restless haste, like the butterflies and moths of the sea.

In the fresh water grew water-lilies, nymphaea, and reeds; the gold-fishes stood up below in rank and file, all turning their heads one way, that the streaming water might flow into their mouths. Fat carps stared at the glass wall with stupid eyes. They knew that they were here to be exhibited, and that they had made the somewhat toilsome journey hither in tubs filled with water; and they thought with dismay of the land-sickness from which they had suffered so cruelly on the railway.

They had come to see the Exhibition, and now contemplated it from their fresh or salt-water position. They looked attentively at the crowds of people who passed by them early and late. All the nations in the world, they thought, had made an exhibition of their inhabitants, for the edification of the soles and haddocks, pike and carp, that they might give their opinions upon the different kinds.

"Those are scaly animals" said a little slimy Whiting. "They put on different scales two or three times a day, and they emit sounds which they call speaking. We don't put on scales, and we make ourselves understood in an easier way, simply by twitching the corners of our mouths and staring with our eyes. We have a great many advantages over mankind."

"But they have learned swimming of us," remarked a well-educated Codling. "You must know I come from the great sea outside. In the hot time of the year the people yonder go into the water; first they take off their scales, and then they swim. They have learnt from the frogs to kick out with their hind legs, and row with their fore paws. But they cannot hold out long. They want to be like us, but they cannot come up to us. Poor people!"

And the fishes stared. They thought that the whole swarm of people whom they had seen in the bright daylight were still moving around them; they were certain they still saw the same forms that had first caught their attention.

A pretty Barbel, with spotted skin, and an enviably round back, declared that the "human fry" were still there.

"I can see a well set-up human figure quite well," said the Barbel. "She was called 'contumacious lady,' or something of that kind. She had a mouth and staring eyes, like ours, and a great balloon at the back of her head, and something like a shut-up umbrella in front; there were a lot of dangling bits of seaweed hanging about her. She ought to take all the rubbish off, and go as we do; then she would look something like a respectable barbel, so far as it is possible for a person to look like one!"

"What's become of that one whom they drew away with the hook? He sat on a wheel-chair, and had paper, and pen, and ink, and wrote down everything. They called him a 'writer.' "

"They're going about with him still," said a hoary old maid of a Carp, who carried her misfortune about with her, so that she was quite hoarse. In her youth she had once swallowed a hook, and still swam patiently about with it in her gullet. "A writer? That means, as we fishes describe it, a kind of cuttle or ink-fish among men."

Thus the fishes gossipped in their own way; but in the artificial water-grotto the laborers were busy; who were obliged to take advantage of the hours of night to get their work done by daybreak. They accompanied with blows of their hammers and with songs the parting words of the vanishing Dryad.

"So, at any rate, I have seen you, you pretty gold-fishes," she said. "Yes, I know you;" and she waved her hand to them. "I have known about you a long time in my home; the swallow told me about you. How beautiful you are! how delicate and shining! I should like to kiss every one of you. You others, also. I know you all; but you do not know me."

The fishes stared out into the twilight. They did not understand a word of it.

The Dryad was there no longer. She had been a long time in the open air, where the different countries—the country of black bread, the codfish coast, the kingdom of Russia leather, and the banks of eau-de-Cologne, and the gardens of rose oil—exhaled their perfumes from the world-wonder flower.

When, after a night at a ball, we drive home half asleep and half awake, the melodies still sound plainly in our ears; we hear them, and could sing them all from memory. When the eye of the murdered man closes, the picture of what it saw last clings to it for a time like a photographic picture.

So it was likewise here. The bustling life of day had not yet disappeared in the quiet night. The Dryad had seen it; she knew, thus it will be repeated tomorrow.

The Dryad stood among the fragrant roses, and thought she knew them, and had seen them in her own home. She also saw red pomegranate flowers, like those that little Mary had worn in her dark hair.

Remembrances from the home of her childhood flashed through her thoughts; her eyes eagerly drank in the prospect around, and feverish restlessness chased her through the wonder-filled halls.

A weariness that increased continually, took possession of her. She felt a longing to rest on the soft Oriental carpets within, or to lean against the weeping willow without by the clear water. But for the ephemeral fly there was no rest. In a few moments the day had completed its circle.

Her thoughts trembled, her limbs trembled, she sank down on the grass by the bubbling water.

"Thou wilt ever spring living from the earth," she said mournfully. "Moisten my tongue—bring me a refreshing draught."

"I am no living water," was the answer. "I only spring upward when the machine wills it."

"Give me something of thy freshness, thou green grass," implored the Dryad; "give me one of thy fragrant flowers."

"We must die if we are torn from our stalks," replied the Flowers and the Grass.

"Give me a kiss, thou fresh stream of air—only a single life-kiss."

"Soon the sun will kiss the clouds red," answered the Wind; "then thou wilt be among the dead—blown away, as all the splendor here will be blown away before the year shall have ended. Then I can play again with the light loose sand on the place here, and whirl the dust over the land and through the air. All is dust!"

The Dryad felt a terror like a woman who has cut asunder her pulse-artery in the bath, but is filled again with the love of life, even while she is bleeding to death. She raised herself, tottered forward a few steps, and sank down again at the entrance to a little church. The gate stood open, lights were burning upon the altar, and the organ sounded.

What music! Such notes the Dryad had never yet heard; and yet it seemed to her as if she recognized a number of well-known voices among them. They came deep from the heart of all creation. She thought she heard the stories of the old clergyman, of great deeds, and of the celebrated names, and of the gifts that the creatures of God must bestow upon posterity, if they would live on in the world.

The tones of the organ swelled, and in their song there sounded these words:

"Thy wishing and thy longing have torn thee, with thy roots, from the place which God appointed for thee. That was thy destruction, thou poor Dryad!"

The notes became soft and gentle, and seemed to die away in a wail.

In the sky the clouds showed themselves with a ruddy gleam. The Wind sighed:

"Pass away, ye dead! now the sun is going to rise!"

The first ray fell on the Dryad. Her form was irradiated in changing colors, like the soap-bubble when it is bursting and becomes a drop of water; like a tear that falls and passes away like a vapor.

Poor Dryad! Only a dew-drop, only a tear, poured upon the earth, and vanished away!

JACK THE DULLARD

AN OLD STORY TOLD ANEW

Far in the interior of the country lay an old baronial hall, and in it lived an old proprietor, who had two sons, which two young men thought themselves too clever by half. They wanted to go out and woo the King's daughter; for the maiden in question had publicly announced that she would choose for her husband that youth who could arrange his words best.

So these two geniuses prepared themselves a full week for the wooing—this was the longest time that could be granted them; but it was enough, for they had had much preparatory information, and everybody knows how useful that is. One of them knew the whole Latin dictionary by heart, and three whole years of the daily paper of the little town into the bargain, and so well, indeed, that he could repeat it all either backwards or forwards, just as he chose. The other was deeply read in the corporation laws, and knew by heart what every corporation ought to know; and accordingly he thought he could talk of affairs of state, and put his spoke in the wheel in the council. And he knew one thing more: he could embroider suspenders with roses and other flowers, and with arabesques, for he was a tasty, light-fingered fellow.

"I shall win the Princess!" So cried both of them. Therefore their old papa gave to each of them a handsome horse. The youth who knew the dictionary and newspaper by heart had a black horse, and he who knew all about the corporation laws received a milk-white steed. Then they rubbed the corners of their mouths with fish-oil, so that they might become very smooth and glib. All the servants stood below in the courtyard, and looked on while they mounted their horses; and just by chance the third son came up. For the proprietor had really three sons, though nobody counted the third with his brothers, because he was not so learned as they, and indeed he was generally known as "Jack the Dullard."

"Hallo!" said Jack the Dullard, "where are you going? I declare you have put on your Sunday clothes!"

"We're going to the King's court, as suitors to the King's daughter. Don't you know the announcement that has been made all through the country?" And they told him all about it.

"My word! I'll be in it too!" cried Jack the Dullard; and his two brothers burst out laughing at him, and rode away.

"Father, dear," said Jack, "I must have a horse too. I do feel so desperately inclined to marry! If she accepts me, she accepts me; and if she won't have me, I'll have her; but she shall be mine!"

"Don't talk nonsense," replied the old gentleman. "You shall have no horse from me. You don't know how to speak—you can't arrange your words. Your brothers are very different fellows from you."

"Well," quoth Jack the Dullard, "If I can't have a horse, I'll take the Billy-goat, who belongs to me, and he can carry me very well!"

And so said, so done. He mounted the Billy-goat, pressed his heels into its sides, and galloped down the high street like a hurricane.

"Hei, houp! that was a ride! Here I come!" shouted Jack the Dullard, and he sang till his voice echoed far and wide.

But his brothers rode slowly on in advance of him. They spoke not a word, for they were thinking about the fine extempore speeches they would have to bring out, and these had to be cleverly prepared beforehand.

"Hallo!" shouted Jack the Dullard. "Here am I! Look what I have found on the high road." And he showed them what it was, and it was a dead crow.

"Dullard!" exclaimed the brothers, "what are you going to do with that?"

"With the crow? why, I am going to give it to the Princess."

"Yes, do so," said they; and they laughed, and rode on.

"Hallo, here I am again! just see what I have found now: you don't find that on the high road every day!"

And the brothers turned round to see what he could have found now.

"Dullard!" they cried, "that is only an old wooden shoe, and the upper part is missing into the bargain; are you going to give that also to the Princess?"

"Most certainly I shall," replied Jack the Dullard; and again the brothers laughed and rode on, and thus they got far in advance of him; but—

"Hallo—hop rara!" and there was Jack the Dullard again. "It is getting better and better," he cried. "Hurrah! it is quite famous."

"Why, what have you found this time?" inquired the brothers.

"Oh," said Jack the Dullard, "I can hardly tell you. How glad the Princess will be!"

"Bah!" said the brothers; "that is nothing but clay out of the ditch."

"Yes, certainly it is," said Jack the Dullard; "and clay of the finest sort. See, it is so wet, it runs through one's fingers." And he filled his pocket with the clay.

But his brothers galloped on till the sparks flew, and consequently they arrived a full hour earlier at the town gate than could Jack. Now at the gate each suitor was provided with a number, and all were placed in rows immediately on their arrival, six in each row, and so closely packed together that they could not move their arms; and that was a prudent arrangement, for they would certainly have come to blows, had they been able, merely because one of them stood before the other.

All the inhabitants of the country round about stood in great crowds around the castle, almost under the very windows, to see the Princess receive the suitors; and as each stepped into the hall, his power of speech seemed to desert him, like the light of a candle that is blown out. Then the Princess would say, "He is of no use! Away with him out of the hall!"

At last the turn came for that brother who knew the dictionary by heart; but he did not know it now; he had absolutely forgotten it altogether; and the boards seemed to re-echo with his footsteps, and the ceiling of the hall was made of looking-glass, so that he saw himself standing on his head; and at the window stood three clerks and a head clerk, and every one of them was writing down every single word that was uttered, so that it might be printed in the newspapers, and sold for a penny at the street corners. It was a terrible ordeal, and they had, moreover, made such a fire in the stove, that the room seemed quite red hot.

"It is dreadfully hot here!" observed the first brother.

"Yes," replied the Princess, "my father is going to roast young pullets today."

"Baa!" there he stood like a baa-lamb. He had not been prepared for a speech of this kind, and had not a word to say, though he intended to say something witty. "Baa!"

"He is of no use!" said the Princess. "Away with him!"

And he was obliged to go accordingly. And now the second brother came in.

"It is terribly warm here!" he observed.

"Yes, we're roasting pullets to-day," replied the Princess.

"What—what were you—were you pleased to ob-" stammered he—and all the clerks wrote down, "pleased to ob-"

"He is of no use!" said the Princess. "Away with him!"

Now came the turn of Jack the Dullard. He rode into the hall on his goat.

"Well, it's most abominably hot here."

"Yes, because I'm roasting young pullets," replied the Princess.

"Ah, that's lucky!" exclaimed Jack the Dullard, "for I suppose you'll let me roast my crow at the same time?"

"With the greatest pleasure," said the Princess. "But have you anything you can roast it in? for I have neither pot nor pan."

"Certainly I have!" said Jack. "Here's a cooking utensil with a tin handle."

And he brought out the old wooden shoe, and put the crow into it.

"Well, that is a famous dish!" said the Princess. "But what shall we do for sauce?"

"Oh, I have that in my pocket," said Jack; "I have so much of it that I can afford to throw some away;" and he poured some of the clay out of his pocket.

"I like that!" said the Princess. "You can give an answer, and you have something to say for yourself, and so you shall be my husband. But are you aware that every word we speak is being taken down, and will be published in the paper to-morrow? Look yonder, and you will see in every window three clerks and a head clerk; and the old head clerk is the worst of all, for he can't understand anything."

But she only said this to frighten Jack the Dullard; and the clerks gave a great crow of delight, and each one spurted a blot out of his pen on to the floor.

"Oh, those are the gentlemen, are they?" said Jack; "then I will give the best I have to the head clerk." And he turned out his pockets, and flung the wet clay full in the head clerk's face.

"That was very cleverly done," observed the Princess. "I could not have done that; but I shall learn in time."

And accordingly Jack the Dullard was made a king, and received a crown and a wife, and sat upon a throne. And this report we have wet from the press of the head clerk and the corporation of printers—but they are not to be depended upon in the least.